Category: Making Music

Coming home

What an extraordinary gift it was to conduct and record my music with the CSULB Bob Cole Chamber Choir this April.

They sang their faces off!

I couldn’t be more proud of my alma mater nor more grateful for Dr. Jonathan Talberg, my teacher, mentor, and lifelong friend.


Composition

Composer’s bliss

This is me in ecstasy, standing up to congratulate the Los Angeles Master Chorale after they world premiered my Song of Significance.  This work and this program were very personal to me, and I’m so privileged to be commissioned for this work and included on a concert with J.S. Bach and the terribly neglected Margaret Bonds.  It was all curated by artistic director Grant Gershon and pianist/radio host/champion for Black composers Lara Downes, and the whole concert was very inspiring.  The San Francisco Classical Voice seems to agree, with many good things to say about the program with a focus on the Bonds works, and a nice shout-out to Song of Significance for “masterful choral orchestration, romantic and lush“.  (I’ll take it!)


Conducting

Coming this weekend

The Harvard-Westlake choirs have returned from England wreathed in glory, and they’ll wrap up that victory with their annual spring concert this Saturday at the campus’ Rugby Auditorium.  I’ll be conducting my composition, “Can You See”, plus music from the musical “The Secret Garden”, and lots more.  Admission is free!


Singing

Soundcloud Song of the Month

From the Stone Age

Written and performed by Zanaida Stewart Robles


I had a chance to sit down at home this month and record a demo of my piece “From the Stone Age” for SSAA choir, piano, cello, and flute. Text is by Alice Corbin Henderson (pictured). More about Alice below.

Poet Alice Corbin Henderson (1881-1949) was known for her activism related to Indigenous rights and environmental conservation. This 8-minute musical setting of Henderson’s poetry tells the story of a stone once carved in the semblance of a god. Over time, its surfaces are smoothed by the elements to reveal a beautiful resilience. Gradually, it becomes more beautiful and less rigid until its original form is unrecognizable and irrelevant. With a soaring soprano solo and moderately challenging harmonies and counterpoint, this work for treble choir, piano, cello, and flute offers singers a chance to explore time, the cosmos, and transformation through the embodiment of a stone.


For Fun

Performing at Gloucester Cathedral in England with the Harvard-Westlake choirs


Ollivander in glory
Ollie and Archie with a new favorite box
Ollie’s tooth 
“What?”


Happy spring, everyone!

This post was originally released as one of Zanaida’s monthly newsletters, April 25 2024

Do-over!

I wrote a reflection a couple weeks ago for the ACDA Western Region Conference session on worship in music. Sadly, ten minutes before I was supposed to offer this reflection, I dropped and broke the phone I was using. When it came time for me to speak, I just invited the audience into a moment of silent reflection on unity through choral music. Everything worked out fine, and my phone has since been replaced. But here’s some of what I would have said to the audience had my phone not been broken:
 

“20th century Black American operatic bass and civil rights activist Paul Robeson once said: 

‘I shall take my voice wherever there are those who want to hear the melody of freedom or the words that might inspire hope and courage in the face of despair and fear. My weapons are peaceful, for it is only by peace that peace can be attained. The song of freedom must prevail.’

Songs of freedom and joy, songs of hope and courage, songs of wisdom, songs of rage, love, loss, and sacrifice – these are songs we all sing. Singing by oneself – whether in the shower or as a soloist in a studio or on a stage – can be healthy and powerful. But singing in a choral ensemble takes a special kind of vulnerability, courage, and selflessness. That’s why choral music is so powerful; our choral work together is sacred. Whether in houses of worship, in classrooms, on concert stages, in studios, in train stations, on street corners, or in parking garages, we amplify our power to inspire positive change when we sing music TOGETHER, thereby bringing meaning to our lives, and fostering the unity we long for.”


Conducting

UK, here we come…

The Harvard-Westlake Choirs embark on an 8-day performance and heritage tour of England! With stops in London, Cambridge, Gloucester, and Bath, this spring break trip is sure to be memorable! Here’s a link to our Brandenburg Festival concert:


Composition

World premiere coming in April

Just 12 days until the world premiere of my piece “The Song of Significance” at Walt Disney Concert Hall, performed by the Grammy Award-winning Los Angeles Master Chorale

I Believe:
The music of Bach, Bonds and Robles

Grant Gershon, conductor
Lara Downes, piano
Chloé Vaught, soprano
Jamal Moore, bass


Singing

Easter is almost here!

Arvis Strickling-Jones, entrepreneur

Easter Sunday, March 31, is Gospel Sunday at Neighborhood UU Church in Pasadena, CA. Come hear my solo on “Gonna Have a Good Time” by Arvis Strickling-Jones! 


Soundcloud Song of the Month

By The Waters of Babylon

by Samuel Coleridge-Taylor

sung by the California Coleridge-Taylor Singers
Dr. Zanaida Stewart Robles, conductor
James Walker, organist

This haunting response to Psalm 137 is described by one music blog in evocative terms:  “Coleridge-Taylor’s writing for choir is superb; he excels at creating rich, thick textures and also thinner textures that don’t sound weak or unsupported. The general tone of this work is yearning, which is just what the Psalm is about — the yearning of the Jewish people while they were in Babylonian exile, yearning for Jerusalem. It’s a beautiful, poignant work.”


For Fun

A sweet parent gave me flowers after our lunchtime choir tour preview concert at Harvard-Westlake! 🥹
Can’t wait to go to England!


Here are some escalator selfies at Walt Disney Concert Hall just before my promotional interview with Artistic Director Grant Gershon. The world premiere is coming up on April 6 & 7!


Archie… being Archie


Happy spring, everyone!

View the original March 2024 newsletter here

So much to share this month!

Let’s dive right in…


Composition

World premiere coming in April

Just 42 days until the world premiere of my piece “The Song of Significance” at Walt Disney Concert Hall, performed by the Grammy Award Winning Los Angeles Master Chorale.

I Believe:
The music of Bach, Bonds and Robles

Grant Gershon, conductor
Lara Downes, piano
Chloé Vaught, soprano
Jamal Moore, bass


Two competitions to share

George Heussenstamm

CCDA/Heussenstamm Composition Contest

The CCDA/George Heussenstamm Choral Composition Contest at ECCO now moves into its eighth year! 


HerVoice Composition Contest

Chicago a cappella seeks submissions for HerVoice, a competition and mentorship program for women composers. A partnership with the Vancouver Youth Choir, this opportunity is open to composers of all ages who self-identify as female, from anywhere in the world. It is intended to promote the work of promising composers and provide hands-on training to further their skills in choral composition. We are seeking composers who are eager to improve their skill at choral composition. Women composers whose career is in its early stages and women composers of color are particularly encouraged to apply.


Singing

I had a blast singing at the Peacock Theatre in Downtown LA for “NieR in concert.” 


Soundcloud Song of the Month

Guidelines

A cantata in 3 movements for SATB Choir, treble choir, harp, flute, strings, and percussion. Celebrating the life and wisdom of Dominican American poet Rhina P. Espaillat

I. Cycles
II. Para Mi Trataranieto el Pionario
III. Guidelines

Here’s a new demo I recorded of my cantata, Guidelines. Making demos like these is fun and helpful for my compositional process.


For Fun

The Installation of Rev. Dr. Omega Burckhardt at Neighborhood UU Church in Pasadena was a blast! Four (4) musical Hallelujahs by Cohen, Thompson, Beethoven, and Handel were all performed for the occasion. What a celebration!


Ollie and Archie in love


See you next month!

Now the Rejoicing!

Gloria to God in the highest, and peace to all people on earth!

Now the rejoicing! Songs fill the hall.
Now the doors open, welcoming all
Of those who have waited with hope for this peace
And this love and this joy to commence with increase.

Gloria to God in the highest, and peace to all people on earth!

Now for the child inside of us all;
The twinkling of lights on trees so tall;
For the giving and getting of so many gifts;
For dancing and feasting and mending of rifts.

Gloria to God in the highest, and peace to all people on earth!

Now the reunion of fam’lies and friends;
Now the forgiveness and making amends.
Now is the time when we welcome the light; when we find what was lost, when what’s wrong is made right.

Gloria to God in the highest, and peace to all people on earth!

Now that we know we’re no longer alone;
Now that the miracle has been made known;
Now that our heaven is made here on earth;
Now at long last, as we welcome new birth!

Gloria to God in the highest, and peace to all people on earth!


Christmas Eve Service

Sunday, December 24 @ 8pm
Neighborhood UU Church, Pasadena


Celebrating Kwanzaa with a Blast from the Past

I got into the Kwanzaa spirit this year by watching the Neighborhood UU Church virtual Kwanzaa service from 2021 on youtube. My segment on “Decorating for Kwanzaa” happens around 13:15. There are also dance videos of my songs “Kujichagulia” (Self Determination) and “Kuumba” (creativity). Watch the entire 44 minute videos service for a beautiful and informative exploration of this annual celebration of Black and African-American culture.


For Fun

Happy Holidays!

Becoming curious

When I was a doctoral student at the USC Thornton School of Music, I was regularly faced with disappointments and challenges that felt too heavy to bear. I often felt like I had nothing intelligent to “say” with my weak gestural skills and my lack of practical knowledge. My classmates seemed so brilliant and knowledgeable already. I felt embarrassed and awkward. I wanted to scream, to give up, to run away.

One day, I felt so woefully ignorant in Choral Literature class that I thought to myself, “Since I don’t feel like I have anything intelligent to add, I wonder if I can come up with something intelligent to ASK. What’s missing from the conversation? Who’s missing from the table? What details might be missing from the story? What’s missing from what they’re trying to teach me?”

I realized that contributing good questions could be more valuable than knowing the answers. I didn’t want to ask questions just so I could get answers right on tests. I wanted to ask questions that made me care more about what I was studying. So, I got really good at asking questions, and this is probably the most important skill I learned from my time as a doctoral student.

From the lens of curiosity, things started to change. One of the simplest, most important questions I learned to ask in times of conflict is “What would it take?” This was a question I learned to get good at answering by myself – answering this question first prevented me from making mistakes and asking lame questions out loud. It prevented me from engaging in useless busy work and futile arguments. And it helped me realize that some tasks and assignments that SEEMED useless were actually the answer the question. 

  • “What would it take for me to feel better?”
  • “What would it take to get there?”
  • “What would it take for them to give me what I want?”

Then, if necessary, I could ask these questions of friends, teachers, fellow stakeholders, and even opponents. Asking “what would it take” usually yielded immediate and astonishing results. This question leads to another great question:

“Do the benefits of pursuing and attaining this outweigh the drawbacks?”

The wonderful thing about the “benefits vs. drawbacks” questions is that there’s never a wrong answer – the answer must only be right for the person answering, and the response is almost always either “yes” or “no.” The truth is, that answer can also change depending on the circumstances. How freeing this feels to me! And answering this question can lead to making lists of benefits and drawbacks, which can provide enough clarity to get back on track after having drifted into a low-visibility or seemingly hopeless situation.

So what are we curious about? What’s missing from the story? Who’s missing from the table? What do we want/need most right now? What will it take? Do the benefits outweigh the drawbacks?

Are we curious?


Composing

You guys!! Having my carol “Now the Rejoicing” included in the historic Oxford “Carols for Choirs 6” collection is truly an honor and a dream come true for me! This anthology series is legendary in the choral world, and it’s such a thrill to have this piece selected by Bob Chilcott, David Hill and Oxford University Press.  It’s available from J.W. Pepper if you’re looking to add some new rep to your Christmas programs…


Conducting

Join us in August for our first Summer Choral Intensive with the newly-formed Zanaida Stewart Robles Singers!  There will be beautiful music and a US premiere of my “Blühende Bäume”, and our venue at the Neighborhood Church in Pasadena is just gorgeous. It’s a chance to work on your choral chops, rediscover the joy of singing together, and perform with a live string ensemble.

We’re particularly in need of tenors and basses, but all are welcome.  If the program fee is the only thing holding you back, please contact me, and let’s talk.

Details are in the flyer above, or click the button below to go straight to the registration page.

To keep an eye on what this amazing new ensemble is doing, you can also join our Facebook group for the ZSR Singers, and be sure to follow us on Instagram!


For Fun

Here’s a little visual tour of what I’ve been up to this month — it’s been busy!  Pictured:  

  • High School Scholarship Competition of the Georgia Laster Association of Music, an affiliate of the National Association of Negro Musicians (NAMN). So proud of my daughter who won second place, singing “Del Cabello Mas Sutil” by Fernando Obradors.
  • Juneteenth dress I wore all weekend long!
  • Silly and sparkly before the choir concert at Neighborhood Church
  • Spending time talking shop with my composition buddy, the amazing Amy Gordon

Ollie’s Corner

Ollivander wears many hats: here he is as fashion model, guard kitty and office assistant!


Original email newsletter — June 25, 2023. Join Zanaida’s mailing list here