Tag: National Association of Negro Musicians

Becoming curious

When I was a doctoral student at the USC Thornton School of Music, I was regularly faced with disappointments and challenges that felt too heavy to bear. I often felt like I had nothing intelligent to “say” with my weak gestural skills and my lack of practical knowledge. My classmates seemed so brilliant and knowledgeable already. I felt embarrassed and awkward. I wanted to scream, to give up, to run away.

One day, I felt so woefully ignorant in Choral Literature class that I thought to myself, “Since I don’t feel like I have anything intelligent to add, I wonder if I can come up with something intelligent to ASK. What’s missing from the conversation? Who’s missing from the table? What details might be missing from the story? What’s missing from what they’re trying to teach me?”

I realized that contributing good questions could be more valuable than knowing the answers. I didn’t want to ask questions just so I could get answers right on tests. I wanted to ask questions that made me care more about what I was studying. So, I got really good at asking questions, and this is probably the most important skill I learned from my time as a doctoral student.

From the lens of curiosity, things started to change. One of the simplest, most important questions I learned to ask in times of conflict is “What would it take?” This was a question I learned to get good at answering by myself – answering this question first prevented me from making mistakes and asking lame questions out loud. It prevented me from engaging in useless busy work and futile arguments. And it helped me realize that some tasks and assignments that SEEMED useless were actually the answer the question. 

  • “What would it take for me to feel better?”
  • “What would it take to get there?”
  • “What would it take for them to give me what I want?”

Then, if necessary, I could ask these questions of friends, teachers, fellow stakeholders, and even opponents. Asking “what would it take” usually yielded immediate and astonishing results. This question leads to another great question:

“Do the benefits of pursuing and attaining this outweigh the drawbacks?”

The wonderful thing about the “benefits vs. drawbacks” questions is that there’s never a wrong answer – the answer must only be right for the person answering, and the response is almost always either “yes” or “no.” The truth is, that answer can also change depending on the circumstances. How freeing this feels to me! And answering this question can lead to making lists of benefits and drawbacks, which can provide enough clarity to get back on track after having drifted into a low-visibility or seemingly hopeless situation.

So what are we curious about? What’s missing from the story? Who’s missing from the table? What do we want/need most right now? What will it take? Do the benefits outweigh the drawbacks?

Are we curious?


Composing

You guys!! Having my carol “Now the Rejoicing” included in the historic Oxford “Carols for Choirs 6” collection is truly an honor and a dream come true for me! This anthology series is legendary in the choral world, and it’s such a thrill to have this piece selected by Bob Chilcott, David Hill and Oxford University Press.  It’s available from J.W. Pepper if you’re looking to add some new rep to your Christmas programs…


Conducting

Join us in August for our first Summer Choral Intensive with the newly-formed Zanaida Stewart Robles Singers!  There will be beautiful music and a US premiere of my “Blühende Bäume”, and our venue at the Neighborhood Church in Pasadena is just gorgeous. It’s a chance to work on your choral chops, rediscover the joy of singing together, and perform with a live string ensemble.

We’re particularly in need of tenors and basses, but all are welcome.  If the program fee is the only thing holding you back, please contact me, and let’s talk.

Details are in the flyer above, or click the button below to go straight to the registration page.

To keep an eye on what this amazing new ensemble is doing, you can also join our Facebook group for the ZSR Singers, and be sure to follow us on Instagram!


For Fun

Here’s a little visual tour of what I’ve been up to this month — it’s been busy!  Pictured:  

  • High School Scholarship Competition of the Georgia Laster Association of Music, an affiliate of the National Association of Negro Musicians (NAMN). So proud of my daughter who won second place, singing “Del Cabello Mas Sutil” by Fernando Obradors.
  • Juneteenth dress I wore all weekend long!
  • Silly and sparkly before the choir concert at Neighborhood Church
  • Spending time talking shop with my composition buddy, the amazing Amy Gordon

Ollie’s Corner

Ollivander wears many hats: here he is as fashion model, guard kitty and office assistant!


Original email newsletter — June 25, 2023. Join Zanaida’s mailing list here

Holiday cattitude

This Thankgiving, I’m devoting my little blog post to my cat Ollivander. Having wanted a cat my whole life and never having had one, I am absolutely in love with our precious kitty, and I’m so thankful for him. My husband and daughters and I agree that Ollivander has changed our lives profoundly. He’s simply the best thing that’s ever happened to our family. After our three pet ratties passed away (yes, we had pet rats for 2 years) we knew we needed a new therapy pet. I wasn’t sure if we could afford a cat, and I was worried that our allergies would prevent us from enjoying having him in our home. I was worried he would be too messy, that he would ruin the carpet or the furniture, that he would be a nuisance. But when the chance came to adopt a kitten, I took a leap of faith. Maybe we got lucky, but somehow we ended up with the PERFECT cat. And yes, he can be messy and a little unruly sometimes, but his comic timing and endless loving cuddliness make it all worth while. I can’t thank God enough for this little precious creature. And I can’t imagine how we ever got along without him. Like Natalie says, “now our family is complete” — gotta give thanks for that! 

Do you have a pet or other being that you’re thankful for? Pics please!

In the meantime…


Conducting

On Christmas Eve, I’m conducting the Neighborhood Chorus on “What Sweeter Music” by John Rutter, and “Bethelehemu” by Wendell Whalum. I would love to have more singers on all voice parts, so here’s your monthly invitation to join us! We rehearse on Thursday nights in the sanctuary from 7:15pm-9pm.

Neighborhood Chorus is a non-auditioned chorus open to all adults. Our repertoire consists of a variety of classical and non-classical styles, sung in various languages. No training is necessary, however classical choral experience and/or basic sight reading skills are encouraged. Neighborhood Chorus sings 3 Sundays per month at the 11:30am service. COVID vaccination is required of all singers, and we wear masks for the duration of all rehearsals and services.

Please fill out this short form to let me know you plan to sing with us this year. Or just email me.


Composition

I’m flying up to Seattle to hear the premiere of my new choral anthem “Ecstatic Expectancy” at St. Mark’s Episcopal Cathedral for Advent Lessons and Carols conducted by the Canon for Cathedral Music, Michael Kleinschmidt on Sunday, November 28, 2021.

Now I feel like a REAL composer!


Upcoming events

NANM Western Regional Holiday Party

NANM Western Regional Holiday Party is Saturday, November, 27th 2021 @ 5-8pm. Venue address: Marmalade Café 2014 E. Park Place, El Segundo, CA. Menu: Veggie Plate, Salmon, and Steak. Eat, drink, and be merry while enjoying live performances, singing Christmas Carols, and celebrating NANM. Door prizes valued at $100. Tickets are $55. 


Harvard-Westlake Winter Choral Concert

Harvard-Westlake Winter Choral Concert, Friday, December 10 at 7:30pm in Rugby Auditorium on the upper school campus (proof of vaccination required). My choirs are singing music of Moira Smiley, Juhi Bansal, and Morten Lauridsen, among others. And my HW Jazz Singers are performing with live jazz combo!


Zanaida speaks at Walt Disney Concert Hall

On Sunday , December 19 I’m doing a “Listen Up!” pre-concert talk about Handel’s “Messiah” with Grant Gershon and Jennifer Miller at Walt Disney Concert Hall. Get tickets and come on by.


These features originally appeared in Zanaida’s November newsletters. Are you on the list? Sign up here!

Making a statement

The need for self love and self care is crucial, and working to help uplift and show care toward other Black people is a vital part of this work. As a member of the national board for the National Association of Negro Musicians (NANM), here is a statement I have crafted about our work:


“With gratitude and reverence for the pioneers who have come before and for those who are with us now; with sober focus and determination to carry on the work of honoring and advancing our legacy; in the face of all manner of trials and tribulations in our midst: the National Association of Negro Musicians is firmly committed to its mission of promoting, preserving, and supporting all genres of music created or performed by African Americans.”

Core Messsage Concepts:

To all creators, performers, and educators who identify as Black, African American, Negro, or Colored;

To all those who seek to promote, preserve, and support all genres of music created or performed by African Americans:

WE CARE FOR EACH OTHER – Here’s what NANM provides… 

  • scholarship money;
  • a platform for cultural engagement and celebration;
  • educational/historical/cultural resources;
  • a space for those who identify as members of the African diaspora to be seen and to process shared experience.

WE SEE EACH OTHER – Here’s who NANM honors for already doing the work…

  • Our heroes, past and present.
  • Visit nanm.org to learn more.

WE APPRECIATE EACH OTHER – Here’s who honors and supports NANM’s work… 

  • Our donors and members

WE NEED EACH OTHER – Here’s who we need to help continue NANMs legacy…

  • solicitation of scholarship applicants;
  • calls for scholarly papers and articles;
  • calls for presenters and performers at national convention.

I’m working on building the infrastructure that enable us to more effectively fulfill our organizational mission, thereby strengthening and uplifting ourselves so that we may be sustained in the fight against racism alongside our non-Black siblings.


Composition

I’ve had so much inspiration to work on new projects that I can hardly figure out where to begin. I’ve also had numerous requests for scores from my catalogue of completed works. If you would like to peruse a score or purchase a license for one or more of my works, please use the contact form on my website at zanaidarobles.com. Sometimes it takes me a couple days, but I’ll respond as soon as I possibly can. I’m excited to share my music with you!

In the meantime, here’s a recent recording I made of my work “Umoja” for treble voices. I added a few things to spice it up! 

Umoja , arranged and sung by Zanaida Robles

Conducting

As I prepare to go back to the “virtual” choir room this fall, I’m working on shoring up my conducting skills. Conducting is such a magical art form to me, and I grieve the loss of the ability to practice my art due to COVID-19. However, I’ve decided to commit to continuing to work on my craft and to use my skills in the service of my ensembles through video. Some works I’m hoping to video record myself conducting this fall include “Sanctus” from Requiem by Maurice Duruflé, “Hehlehlooyuh” by James Furman, and my very own composition “Kyrie.”

As I prepare for this fall, I have been reviewing texts and notes from my doctoral studies at USC. I’ve also been reading choral music publications and paying attention to the current work of my colleagues in the field of choral music education. One of the most delightful things I’ve found was my friend Dr. Christopher Gravis’s video introduction to instrumental conducting. His video was absolutely inspirational to me, reminding me how amazingly complex our art form can be and how we have a responsibility to put in the work to thoroughly study and fully comprehend the music we conduct, regardless of whether it’s instrumental or choral.  Here’s the video:

Instrumental Conducting:  Introduction to the Orchestra, the Score, and Transposition — by Christopher Gravis, posted June 2020.

Singing

When I’m not recording vocals for various professional projects, I’ve been singing through my 24 Italian Art Songs and Arias, trying to work on my legato phrasing and vowel alignment. (I enjoy playing them on my flute, too!)

I’m also playing around with GarageBand to create new music. Here’s a recording I did not too long ago of “Karitas Habundat” by 12th century composer and mystic Hildegard von Bingen.

Karitas Habundat by Hildegard von Bingen, sung by Zanaida Robles

For Fun

My daughter is really into K-Pop right now. I love watching her dance to this music because she moves with such effortless style and confidence. I’m in awe of how easily she picks up these dance steps; she’s such a natural dancer (complete opposite of me!). She tried to teach me the dance steps to a couple of songs. Laughter ensued, and then I gave up. But it’s fun to try!  Start here:

BLACKPINK – ‘Kill This Love’ DANCE PRACTICE VIDEO (MOVING VER.)

This post originally appeared in Zanaida’s monthly newsletter.
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NANM GRGIII Branch Meeting

National Association of Negro Musicians (NANM)

Monthly meetings for the George Robert Garner III Branch take place on second Saturdays.

Please contact Zanaida if you’d like more information about this organization, membership, or this year’s national convention.