Category: Announcements

Big news!

After an extensive search lasting several months, Zanaida has been chosen as the new Music Director at the long-revered Neighborhood Church in Pasadena! This means that she will be leaving a similar position at the Unitarian Universalist Church of Santa Monica, where she has been the music director for the past two years.

“While I will dearly miss the wonderful folks at UUSM, I look forward to the new challenges at my new congregation in Pasadena.  This is an exciting and compelling transition, and I hope to build beautiful things at Neighborhood Church.”

The press release from Neighborhood Church follows below.

Introducing our Newest Music Director!

June 28, 2018

Posted by Taylor Chazan

An Important Announcement from the Music Search Committee

After seven months of working steadily, Neighborhood’s Music Director Search Committee is pleased to announce Dr. Zanaida Robles as Neighborhood Unitarian Universalist Church’s newest Music Director!

Dr. Robles holds a Doctor of Music Arts degree from USC’s Thornton School of Music, a Master of Music degree from Cal State Northridge, a Bachelor of Music degree from Cal State Long Beach, and she is a graduate of the L.A. County High School for the Arts.

Dr. Robles is currently the choral director at Harvard-Westlake Upper School and is coming to us from her soon-to-be former position, as Music Director at the Unitarian Universalist Community Church of Santa Monica.

Dr. Robles is a highly regarded professional musician. She came to us, recommended by Rev. Lissa’s Unitarian Universalist colleagues, and our own Stephen Grimm. Her resume and references were impressive. From the start, with only her credentials, several members of the Search Committee believed that she was a candidate who demonstrated true potential to partner with us, synergistically, to build upon our classical foundation, and to take us beyond to create an exciting musical future for our congregation.

During her in-person interview, Dr. Robles came across as warm, personable and down-to-earth. She demonstrated these qualities, while communicating, to us, her outstanding musicianship and vast knowledge of music history, including classical and contemporary pieces and composers. She demonstrated a sophisticated understanding of the dynamics and nuances of cultural misappropriation and shared our commitment to authentically exploring more diverse genres of music. Throughout the interview, her depth of knowledge and years of experience in music direction radiated in demonstrable emotional and spiritual maturity.

During her interview, Dr. Robles described her journey into music direction as “a call.” She shared openly how she was drawn to Unitarian Universalism and church music ministry, and narrated, for us, how she came to consider and apply for the position at Neighborhood.

In her conducting audition, with the choir, her seemingly naturally-didactic manner was both joyful and invitational. As she led the choir, in music direction, she was precise, methodical, and clear. This supported choir members in feeling relaxed and confident as they executed challenging musical pieces. The choir’s sound quality was notably and dramatically changed over the course of the hour-long audition/rehearsal.

During the portion of the audition where she led the congregation, she helped NUUC’s members “find their voices,” and take on new hymns, from the Singing the Journey hymnal with remarkable results. She presented as a competent and skilled teacher, who pushed us steadily, but gently towards vocal cohesion, and with an interest for us to also explore the spiritual dimensions of the hymns, whether through words or melody.

By the end of the evening of her audition, choir and congregational members, alike streamed out of the sanctuary remarking, “That was fun!”

Dr. Robles and her family reside in Duarte. She has two elementary school-aged daughters and is married to a choral vocalist and musician. Dr. Robles is a spiritual seeker with an Episcopalian background and is eager to find a new spiritual home for her family, including having her children sing in, what we hope will be, Neighborhood’s newest Children’s Choir.

Dr. Robles, Neighborhood Unitarian Universalist Church welcomes you with open arms!

From Our New Music Director Dr. Zanaida Robles

I am thrilled to be joining the team at Neighborhood Church! Many thanks to the search committee and to Stephen Grimm whose encouragement and support were instrumental in my decision to seek employment here. When someone believes in you, you start to believe in yourself. Stephen believed in me, and now I’m coming here, back home to the San Gabriel Valley, preparing to embark on the next chapter of an incredible journey, following a call to music ministry that began 17 years ago right here in Pasadena. I am eager to get to know you. I look forward to hearing your stories and to sharing mine. Most of all, I can’t wait to make music with you! See you in September!

A Letter to the Singers of the Los Angeles Master Chorale

Dear Best Singers on the Planet,

I’ve been thinking about this for months and months and months. This is hard. I’m writing to let you know that I have decided not to return to LAMC. I have loved singing with you more than you know. But it’s impossible for me to commit to the group and maintain my full-time work as a teacher (and a mom) along with my part-time work as a music minister, composer, clinician, and arts activist. I am deeply grateful to LAMC for the many amazing opportunities I’ve had to make music with the most talented musical artists on earth. I hope I’ll still have a chance to sing with you from time to time on short-term projects around town. Great things appear to be on the horizon for you all. I can’t wait to see how it all unfolds. I’ll be watching from the audience.

Love and hugs to everyone,
Zanaida

Tonality

I’m so excited to announce that I’ve accepted an invitation to be on the board of directors for the incredible new choral group, “Tonality.”

Tonality promotes peace, unity and social justice through choral music performance in Los Angeles. I’ve sung with this group myself, and am blown away by their director Alexander Lloyd Blake. Alex is a fellow USC Trojan!, and I am so proud to support their incredible work.

As a Christmas meditation, please read Ian Perry Walker‘s review of Tonality’s December 2 performance of Stories of Home: A Tonality Holiday Concert:


Tonality’s next performance is a reprise of their “Put Your Guns Down” concert, on Sunday, January 7 at 7pm, at First Congregational Church of Los Angeles. Admission is free!

I’ll be there, and I hope you’ll come, too. If you can’t make it, please consider making a year-end gift to support the dynamic work of this organization. Go to their Fractured Atlas page to make a donation.

Merry Christmas.
Zanaida

The Lifting of Voices

I was moved to tears when, last weekend, mezzo-soprano Brittany Logan sang the sh*t out of my arrangement of “Lift Ev’ry Voice and Sing!” She sang it during a choral concert presented by the Bob Cole University Choir and Chamber Choir called “We Can Mend the Sky: Choral Music for Social Justice.” Conducted by my former teacher Jonathan Talberg, the Chamber Choir did a splendid job of supporting Brittany as she wailed with depth and fervor and exquisite vocalism — the perfect voice for my piece. Brittany told me that for her, a young Black American female college student, singing THIS SONG with THIS CHOIR meant the world to her. Tears were streaming from both our eyes as I hugged and hugged her. It meant the world to me, too.

I attended Saturday night’s concert with added pep in my step over having been elected President of the George Robert Garner III Branch of the National Association of Negro Musicians (NANM) the week prior, on October 14. I am so proud to be connected with a centuries-old Black American musical legacy through NANM. And I am filled with honor, humility, and hope as I imagine how I might serve as one of the living links between NANM and music institutions and educators that are finding ways to not only “include” Black Americans, but to give Black Americans a safe space where they can lift their voices and truly be seen and heard in ways that validate their humanity without tokenizing their identity.

I know I’ve said this before: “Lift Every Voice and Sing” is a hymn that connects us to our roots, honors the present, and points toward the future. The poetry is epic and sophisticated. It speaks to our common struggle with brutality and injustice. And mostly, it speaks to the value of EVERY collective human voice that has ever been imprisoned, demoralized, persecuted, and/or murdered. Anyone and everyone can and should sing this song. But for me, and for many Black Americans, this song is our pride and joy. It means more than words can say for this song to be sung to life by our prestigious local music institutions, especially when Black Americans take the lead.

There are lots of great arrangements of “Lift Every Voice” out there. If you are a choral conductor, please consider performing mine. It is published by E.B. Marks Music and distributed by Hal Leonard. For details, go to to https://www.halleonard.com/product/viewproduct.action?itemid=139863.

Going national

I am pleased to announce that I have just been elected to serve on the national board of the National Association of Negro Musicians (NANM). If you go to www.nanm.org, you’ll learn that this organization has been dedicated to the preservation, encouragement, and advocacy of all genres of music created and/or performed by African Americans since 1919.
To grasp the breadth and scope of NANM over the last century, here are some of the notable artists that have given performances with this great organization:

Clockwise from top left:
Marian Anderson, Ellis Marsalis, Jessye Norman, Robert McFerrin, Lena Horne, William Warfield
Clinicians and lecturers of note include Wendell Whalum, Doris McGinty, Alain Locke, Grace Bumbry, Sylvia Olden Lee, James Cleveland, Robert Ray, Willis Patterson, Roland Carter, Brazeal Dennard, Robert Harris, and Shirley Verrett. These notables (my heroes) represent only a fraction of the many musicians, educators, scholars, and lovers of music who constitute the musical fabric of this organization.
During the national convention in New Orleans, LA this past week, I ran for a post on the national board of NANM because I believe in its mission, I am proud of its legacy, and I want to play a constructive role in its future. NANM is one of the most profoundly diverse organizations in this nation. Yes, we proudly claim our identity as Black, African-American, and Negro. But as a body of people, we are also multicultural, multi-stylistic, intergenerational, inter-geographical, multi-lingual, inter-religious, and socio-economically dynamic and diverse. What a gift we are to our people and to our nation as an exquisite example of how to recognize our common cultural heritage while celebrating our diversity and expanding our legacy! The National Association of Negro Musicians is a beacon of light in our country during times of great darkness, and I am honored for the opportunity to officially serve as a national ambassador for NANM. I look forward to doing my part to shine its light throughout this country.
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