Category: People in Music

New Hampshire!

From April 7- 9, I enjoyed 3 days of intensely satisfying work conducting the New Hampshire All-State High School Treble Choir. With challenging music by J.S. Bach, Samuel Coleridge-Taylor, Rosephanye Powell, Saunder Choi, and yours truly, we worked our butts off!

There was bonding, there were tears, there was laughter. We told each other our stories and let our music-making glue us together. Every piece we practiced became a precious gem. And in the  brief span of less than two days, these young singers sang with such passion and nuance. I couldn’t be more proud of our work together. Working with collaborative keyboardist Molly Lozeau was an honor and a delight! And I am grateful to Will Gunn, Sarah Evans, Emma Forest, Dan Perkins, and everyone at NHMEA for making me feel welcome and trusting me with those precious treble voices. 


Composition

Here’s a really cool NPR interview with Dr. William Culverhouse who conducted the premiere of my complete Mass in E minor with the Southern Tier Singers’ Collective at St. Patrick’s Church on Sunday, April 24. In Binghamton, NY.


Also, I was on the news!  Check out this guest appearance with Dr. Culverhouse for WBNG in upstate New York, talking about the same piece:


Conducting

Thursday, April 28 @ 7:30pm
Harvard-Westlake Spring Choral Concert
Featuring Wolverine Chorus, Bel Canto, Chamber Singers, and Jazz Singers
Zanaida conducts her piece “She Lingers On” with the HW Dance Ensemble performing “There” choreographed by HW Dance instructor Queala Clancy

Sunday, May 1 @ 11:30am
Zanaida conducts “Jubilate Deo” by Samuel Coleridge-Taylor
Neighborhood Chorus is joined by guest organist James Walker and members of the Donald Brinegar Singers and Pasadena Pro Musica.

and…

It’s official! I’m conducting “Hiawatha’s Wedding Feast” at Carnegie Hall on Tuesday, March 28, 2023. On that same concert, Sandra Snow will conduct the premiere a new work I’ve been commissioned to compose by National Concerts. 


Ollie’s Corner

Ollivander Robles turned 1 year old on April 23. That deserves a little celebration!

New tricks

I learned something new this month:

Playing tetherball with your legs and feet rather than your arms and fists is a really good workout.

Hope you’re doing well. Happy Spring!


Conducting

April 6-10, I’m conducting the Treble Honor Choir for the New Hampshire Music Educators Association in New Hampshire


Composition

My five-movement “Mass in E Minor” is being world premiered by the Southern Tier Singers’ Collective conducted by William Culverhouse on Sunday, April 24 in Binghamton, New York.  


For Fun

Here are some pics from ACDA Western Division Conference in Long Beach, March 2-5:


Ollie’s Corner

Best cat ever!

New headshots

The blog and newsletter will look a little different soon, as I’ve had some gorgeous new headshots taken, with help from photographer Lauren Desberg!  Here’s a sneak peek:


Conducting

I’m conducting the Neighborhood Chorus on “Earth Song” by Frank Ticheli during the 11:30am service at Neighborhood Church Pasadena on Sunday, November 7.

I’m so proud of the work this choir has been doing, and I would love to have more singers on all voice parts. We rehearse on Thursday nights in the sanctuary from 7:15pm-9pm.

Join us!

Neighborhood Chorus is a non-auditioned chorus open to all adults. Our repertoire consists of a variety of classical and non-classical styles, sung in various languages. No training is necessary, however classical choral experience and/or basic sight reading skills are encouraged. Neighborhood Chorus sings 3 Sundays per month at the 11:30am service. COVID vaccination is required of all singers, and we wear masks for the duration of all rehearsals and services.

Please fill out this short form to let me know you plan to sing with us this year. Or just email me.


Composition

Many thanks to my good friend and fellow composer Shawn Kirchner for his encouragement and mentorship. It felt soooo good to spend time with him while he helped me update my ASCAP catalogue. His homegrown grapefruits make incredible juice!


Singing

On Sunday November 7, I’m singing “Where er’er you walk” by G. F. Handel and “Dream Variation” by Margaret Bonds during the 9am service at Neighborhood Church. I’d love to see you there. 


Community News

HW students to join this year’s honor choirs

Four of my Harvard-Westlake choral students were selected for the 2021 SCVA High School Honor Choirs.  Congratulations to Gisele Stigi for earning a spot in the Treble Honor Choir, to Kieran Chung for earning a spot in the Mixed Honor Choir, and to Rhea Madhogarhia and Charlie Doris for earning spots in the Vocal Jazz Honor Choir.  Kieran, Gisele, Rhea and Charlie will all perform at the 2021 High School Honor Choir Performance at the University of Redlands on Saturday, November 20 at 7pm.


For your consideration

As you know, I am the Chair for the Board of Directors of the non-profit choral group, Tonality.  Tonality’s new album, “American Will Be” is under consideration in multiple GRAMMY® award categories this year.  Thank you for supporting this fantastic group of artists who have brought so much light and love to the choral community and beyond.


For Fun

Looks like we’re having a spider problem again. Also, a meme my students helped me make for our new Harvard-Westlake Choir page on Instagram @hwuschoirs… and more Ollie pics!


Arachnid alert!

(with a little fiesta flair this year…)


Ollie’s corner


It all hinges on three little words

Balance. 
Resonate. 
Flow. 

Donald Brinegar

In Donald Brinegar’s conducting class during my first year as doctoral student in choral music at USC, I discovered that these three verbs intersect and support multiple aspects of my life and work. From yoga, to singing, to conducting, to parenting, everything seems better when balance, resonance, and flow are in harmony. The challenge (and the fun) is figuring out what’s out of balance? Where is there a lack of resonance? What’s stopping the flow? Being able to answer these questions as they relate to various situations has been a key component to managing this rewarding and complicated life.

Conducting

Honestly, I miss choral conducting. I miss the singers, the connection, the spirituality, the magic of shaping the way voices touch other voices in shared space. The pandemic has really taken away our ability to fully practice this artform. Hopefully, opportunities for live conducting (if only on a small, informal scale) will happen in the coming weeks with my students at Harvard-Westlake and with my musical friends at Neighborhood Church.

Composition

The more I do it, the more I realize just how much I have to learn about composing music. I’m now analyzing the musical scores of revered composers from across the centuries so I can understand the idiomatic performance characteristics and notation practices of different instruments (especially for organ works). And I’m engaging more with composer colleagues, listening to their wisdom about the composition process. In my work as an adjudicator and mentor with the Her Voice composition competition for women, I get to engage with two phenomenal master composers Chen Yi and Stacy Garrop. I’m just trying to soak up as much wisdom as I can!

Singing

I’ve noticed that sometimes when I’m in a good mood or I feel like celebrating, I spontaneously start singing opera arias I learned in my undergrad days. My go-to celebration aria is “Je Suis Titania” from Mignon by Jules Massenet. Back when I was young, I thought It was the most virtuosic aria EVER, and I enjoyed learning it. I was never was able to master it, but it’s fun to just bust out random snippets of it between classes, in the car, while cooking, or whenever good news comes my way.

What’s your go-to celebration aria or song?

For Fun

My youngest daughter Natalie is a visual artist, and I absolutely adore her art style. Sometimes she sends me her drawaings just to brighten my day. She masterfully draws original anime-style cartoon characters using an app on her phone. I am AMAZED she creates such adorably pictures just with her finger on her phone! Here are three of her recent ones. This character is named “Cheesecake.” It’s Natalie’s cartoon version of herself. I’m completely smitten by my child’s “self-portrait.” It looks just like her in so many ways.


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That’s a lot of Zoom!

My deepest gratitude to the following institutions and organizations for welcoming me as a guest speaker in their virtual spaces over the past 8 months. I have loved engaging online with the educators and students in these places where choral music is alive and thriving:

California School of the Arts, San Gabriel Valley
California State University, Long Beach
Chapman University
The Choral Commons
Gonzaga University
The Handel and Haydn Society
InUnison Pod Cast
LHC Studios
Temple University
University of Chicago
University of Southern California
University of Utah
Virginia Commonwealth University


Composition

My choral works “No Fairy Tale Here,” “Veni Sancte Spiritus,” and “Can You See” continue to gain exposure across the country and even internationally. I’ve been so inspired from learning about and listening to music of other non-idiomatic Black composers over the last 2 months. There are so many musical ideas and sketches I want to develop that I almost don’t know where to start! Pray for me as I try to tackle new commissions for a short organ solo work and a new anthem for mixed choir and organ.


Teaching

On Friday, March 26, I’m presenting a virtual talk with Dr. Jace Saplan through the Western Division of ACDA on having transformative conversations in choral rehearsal spaces to help facilitate inclusion with the goal of producing more deeply meaningful and engaging performance experiences.

I’m also looking forward to participating in the Black Women Composers Summit presented by Dr. Lori Hicks of LCH Studios March 26-28.


For Fun

The 2021 ACDA National Conference March 18-20 celebrated the richness of our nation’s diverse choral communities. Even though it was a virtual conference without in-person activities, I was inspired and uplifted by the presentations and performances of colleagues, students, and friends. One of my favorite parts was participating in the Black Women Composers and Conductors network meet-up. There was so much beauty and musical magic all around me. It was humbling. Plus, it was really fun!