A quick Google search yields many fascinating points about the cultural and scientific significance of prime number 47. One of my favorite factoids is that it was often used as running gag or an easter egg found in dialogue, on tech displays, and in shield percentages in Star Trek episodes. Here I am, referencing Star Trek (TNG, always)! I mean, this is full-on middle age.
Turning 47 feels like entering a new era of life. It feels like a new beginning, like starting from scratch. As I refine and redefine myself and my purpose, I feel like a child in a big scary world. And yet, I can feel myself growing. 46 was one of the most difficult years of my life. Disappointment, loss, and despair seemed to increase around me daily. But I’m entering my 47th year with the knowledge and experience to weather storms like never before.
Become a ZSR Singer, and join me, along with other outstanding choruses from both school and community programs, for rehearsals and an unforgettable performance of Shawn Kirchner’s SONGS OF ASCENT, accompanied by professional orchestra and enhanced by stunning artistic projection.
Under the direction and artistic vision of yours truly, participating singers will take the stage at world-renowned Carnegie Hall (pictured) in New York City – an inspiring milestone that builds confidence, and strengthens musicianship.
We have a location! We’ll be hosted by Church of the Good Shepherd in Arcadia, and registration opens June 1. Here’s the updated flyer:
Singing
Here’s a snap shot of what it can be like to sing choir music together for fun with people you love!
For Fun
Happy May!
Sing with Shawn and Zanaida at Carnegie Hall… (see above)Guava flowers on our miracle tree mean lots of guavas this fall.Biking along the river across the street.I got an award from my alma mater! CSULB’s “49 Under 49” Award for Distinguished AlumniArchie, the weird and lovable
April 26, 2026 will be my final day serving as Director of Music for Neighborhood Unitarian Universalist Church in Pasadena. The decision to leave was truly difficult, as Neighborhood Church has been place of musical and spiritual nourishment to me for almost 8 years. The time seems right for this transition as my focus has shifted toward embracing new opportunities to compose, teach, sing and conduct on a larger scale.
I am deeply grateful for Neighborhood Church and for all the blessings that came with serving as its music director. To be able to conduct, sing, compose, and play handbells while serving this community has been a true blessing and a joy. The Neighborhood Church music community is special due to its rich legacy that extends many decades before my time here. And I know Neighborhood Church music programs will flourish long after I conclude my service as music director.
Composing
While I’m still reading and studying a lot about composition and orchestration, I’m starting to turn my attention toward summer publishing, hoping to get 4 new works out into the world: Winter Branches for SATB voices a cappella, premiered in December 2025 by Kantorei under Joel M. Rinsema; The Root for SATB voices a cappella, premiered in May 2025 by Sacred and Profane Chamber Chorus under Rebecca Seeman; Beautiful for SSA voices and piano, premiered in May 2025 by Spirito Singers under Carling FitzSimmons; and LA River Scenes for solo piano, premiered in December 2025 by Aron Kallay for Piano Spheres‘ “30 for 30” concert series.
Singing
Creating demos and doing session work remains a great joy of mine. More, please!
Our amazing Harvard-Westlake performance in Costa Rica
Ready for multiple rides on Ghost Rider at Knotts Berry Farm!
Visiting my alma maters:
First I visited Audubon Middle School to re-connect and learn about their current music programs.
Then I visited USC Thornton and heard the USC Concert Choir with beloved teachers and friends: L to R, Marisa Rawlins, Bruce Rogers, Cristian Grases, Paul Smith:
Also, hugs and deepest thanks to Dr. Tram Sparks (not pictured) for exquisitely conducting my “Veni Sancte Spiritus”.
We each are a miracle. Our gathering together is a miracle. And we are each other’s gifts.
My favorite part of the holiday season happens within the first 10-15 days after Thanksgiving, when Christmas lights are just starting to appear on houses. The sparkle and splendor of the season feel new and long-awaited. That’s when the first holiday parties start, the baked goods are fresh, and the potlucks feature the first fruits of our holiday spirit. Because many students have finals, juries, and projects due the week before winter break, schools put on their holiday concerts and festivals as soon as possible after Thanksgiving. Teachers have what feels like NO TIME AT ALL to build back the rehearsal momentum lost from the Thanksgiving break, and must immediately produce the most highly anticipated (and mandatory) performances of the year. Students learn the meaning of grace and hope as they succeed despite their frequent tardiness, unexpected absences, and lack of preparation, sometimes due to illness and often due to severe overwhelm due to all their other social and academic obligations. It’s a time of frenzy, high stress, and anxiety, but also beauty, tenderness, nostalgia, and magic – I love it.
We each are a miracle. Our gathering together is a miracle. And we are each other’s gifts.
Around 10-15 days before Christmas, people are exhausted. Students and teachers stress over juries and finals. The decorations are starting to look boring and worn out, instead of nostalgic and precious. At this point, folks are tired of bringing and eating potluck food. The leftovers are overwhelming and unwanted. The awkward Secret Santa and “white elephant” gift exchanges are happening, whether you like it or not.
We each are a miracle. Our gathering together is a miracle. And we are each other’s gifts.
Whether I’m 10 days into the season, 10 days out from Christmas Day, or it’s the 10th day of Christmas (January 3) and I’m ready take down the Christmas tree 2 days early, I constantly long for that remarkable moment when time stops and we recognize that all the preparation, hard work, and risks we’ve taken have led us back to each other, back to being together. Concerts, shows, church services, family gatherings, parties with friends and co-workers… all our gatherings are miracles. We each are a miracle. Our gathering together is a miracle. We are each other’s gifts. I think about how this compares with the nativity story, the first Christmas: a story of traveling and toiling and risking and trying. It’s messy and painful. Think of all the waiting, the searching, the desperation and disappointment; the fear. And then… the miracle of birth in a most humble place.
Each of us was a risk that someone once took. This Christmas, may we remember…
We each are a miracle. Our gathering together is a miracle. And we are each other’s gifts.
Up Your Game Reading Session
Ready to “up your game” as a choral singer? Prepare to make connections, build musicianship skills, and be inspired. During this 3-hour session, you’ll make music with and learn from session singers, contractors, conductors, and teachers offering real-world insight and experience in the field of choral music.
Scholarships available Scores and refreshments provided Designed for Advanced Singers Ages 15+
For Fun
Pics with pianist Aron Kallay, plus my Dad, my friend Mark Hilt (formerly from Harvard-Westlake), and my friend Donna Perkins from Neighborhood Church… all at the premiere performance of my piece LA River Scenes on December 16.
Thank you to everyone who was there. It was an incredible performance!
We got a beautiful new piano for Christmas. This instrument was cherished for decades in the home of a dear friend, and it will be cherished in my own home for decades to come. (The kitties like it, too!)
Merry Christmas, Happy Kwanzaa, and a very Happy New Year!
August 10, 2025 marked the 3rd annual Zanaida Stewart Robles Singers Choral Intensive culminating performance during the 10am service at Neighborhood UU Church. Our performance of selection from Carl Orff’s Carmina Burana was one of my favorite church performances of all time! Here’s a link to the video – it’ll make you smile! Also, Felicity’s solo on “Dulcissime” toward the end of the service is just beautiful!
Composition
Photo: Marielle Hayes Photography
I’m so happy to have finished arranging Veni Sancte Spiritus for SSAA voices. Many thanks to Eric Tuan and the Piedmont East Bay Childrens Chorus commisdioning this work. They will premiere it on their “Making History” Concert on Saturday, March 21, 2026 in Berkeley, CA. The SSAA version of Veni Sancte Spiritus will be published in summer 2026.
My teacher and mentor Dr. Cristian Grases (pictured above left), chair of the Department of Choral and Sacred Music at USC, will play the cuatro with me as I conduct a performance of “Gloria” and “Sanctus” from Misa Criolla by Ariel Ramirez (above right) in celebration of Ingathering at Neighborhood UU Church on Sunday, September 7 at 10am. I am thrilled for our community to be blessed by Dr. Grases’s expertise in the field of Latin American choral music.
Not familiar with the cuatro? A lovely example of this guitar-like Venezuelan instrument is pictured above, as held by Smithsonian Music.
For Fun
Summer Vibes
LA Master Chorale Artistic Director Grant Gershon imparting Carmina Burana wisdom to the ZSR Singers
Being able to cue up my own music on Spotify in my car is a dream come true!
As you know, I serve as Director of Music at Neighborhood UU Church in Pasadena, CA. Before church service began on July 13, my friend, church keyboardist and Associate Music Director Wells Leng (pictured) was playing the piano as usual. Since Debussy’s Clair de Lune (“Moonlight”) was scheduled as the prelude, Wells casually played through a few spots in the Debussy as they were preparing for the service to start. My mind was in a million other places, and I was having a tough morning due to concerns about, you know, the usual or whatever. The service began with announcements as usual. The welcome words cue the keyboardist to start the prelude.
On cue, Wells startled me with the way their posture transformed. As if they were summoning some sort of ancient, otherworldly power, they straightened their back with what seemed like intense reverence and slowly lifted their hands to play.
You know that scene from the movie Ratatouille, when the food critic is dramatically transported to his childhood with the first bite of that scrumptious meal? That was how dramatically moving the first three notes of this performance of Clair de Lune were for me.
Also, I realized something extraordinary: I had never heard the piece played live.
In Wells’s hands, it was like hearing it in 3D – one of the most beautiful things I’ve ever heard in my life. I’m sure the combination of pressures at home and worry for the world and childhood nostalgia and peri-menopausal hormones were all at work. But something in me broke while I listened to Wells play Clair de Lune. I have never wept in church like I wept when they played that piece that morning.
It was the best part of my whole day.
Conducting
What was that, Carl?
The Zanaida Stewart Robles Singers Summer Choir Intensive starts in less than 2 weeks! I can’t wait to dive into Carmina Burana with our singers, anticipating how powerful it will be to perform it during the 10am Sunday morning service at Neighborhood UU Church Pasadena on August 10. In the meantime, I offer you a link to my favorite “misheard lyrics” version of the famous “O Fortuna” chorus.
Here’s “Oh Four Tuna”:
Singing
During church on July 20, I dusted off my French art song chops and sang Villanelle by Eva Dell’Acqua and Chanson Triste by Henry Duparc. I made some mistakes, but I had fun and it felt good to explore those melodies again. Also, making music with pianist Dr. Katie Eames is always a special treat! Here’s a link to a video of the service. My songs happen around 18:30 and 25:30.
Composition
My piece, Veni Sancte Spiritus, continues to strike a chord with choirs all over the country. Many thanks to Kaleb Hilton and the choir of Kentucky Governor School for the Arts for learning this piece and inviting me to Zoom with them in preparation for their performance. Check out this piece and more on my album of sacred choral works titled Ecstatic Expectancy.
