Thursday, June 13 7:30pm at Neighborhood Church Neighborhood Church Spring Choir Concert
Suggested donation $25 to support the NUUC music program
Congratulations, Felicity!
A glorious prom dress, a dynamite senior recital, now all that’s left is Felicity’s graduation from California School of the Arts San Gabriel Valley on Friday May 31. She’ll be attending CSULB for vocal performance this fall, and we’re so proud of her!
Soundcloud Song of the Month
Gloria
by Zanaida Stewart Robles
In honor of my birthday, here’s the joyous “Gloria” from my Mass in E minor.
Listen to this recording by the Southern Tier Singers conducted by William Culverhouse
What an extraordinary gift it was to conduct and record my music with the CSULB Bob Cole Chamber Choir this April.
They sang their faces off!
I couldn’t be more proud of my alma mater nor more grateful for Dr. Jonathan Talberg, my teacher, mentor, and lifelong friend.
Composition
Composer’s bliss
This is me in ecstasy, standing up to congratulate the Los Angeles Master Chorale after they world premiered my Song of Significance. This work and this program were very personal to me, and I’m so privileged to be commissioned for this work and included on a concert with J.S. Bach and the terribly neglected Margaret Bonds. It was all curated by artistic director Grant Gershon and pianist/radio host/champion for Black composers Lara Downes, and the whole concert was very inspiring. The San Francisco Classical Voice seems to agree, with many good things to say about the program with a focus on the Bonds works, and a nice shout-out to Song of Significance for “masterful choral orchestration, romantic and lush“. (I’ll take it!)
The Harvard-Westlake choirs have returned from England wreathed in glory, and they’ll wrap up that victory with their annual spring concert this Saturday at the campus’ Rugby Auditorium. I’ll be conducting my composition, “Can You See”, plus music from the musical “The Secret Garden”, and lots more. Admission is free!
Singing
Soundcloud Song of the Month
From the Stone Age
Written and performed by Zanaida Stewart Robles
I had a chance to sit down at home this month and record a demo of my piece “From the Stone Age” for SSAA choir, piano, cello, and flute. Text is by Alice Corbin Henderson (pictured). More about Alice below.
Poet Alice Corbin Henderson (1881-1949) was known for her activism related to Indigenous rights and environmental conservation. This 8-minute musical setting of Henderson’s poetry tells the story of a stone once carved in the semblance of a god. Over time, its surfaces are smoothed by the elements to reveal a beautiful resilience. Gradually, it becomes more beautiful and less rigid until its original form is unrecognizable and irrelevant. With a soaring soprano solo and moderately challenging harmonies and counterpoint, this work for treble choir, piano, cello, and flute offers singers a chance to explore time, the cosmos, and transformation through the embodiment of a stone.
I wrote a reflection a couple weeks ago for the ACDA Western Region Conference session on worship in music. Sadly, ten minutes before I was supposed to offer this reflection, I dropped and broke the phone I was using. When it came time for me to speak, I just invited the audience into a moment of silent reflection on unity through choral music. Everything worked out fine, and my phone has since been replaced. But here’s some of what I would have said to the audience had my phone not been broken:
“20th century Black American operatic bass and civil rights activist Paul Robeson once said:
‘I shall take my voice wherever there are those who want to hear the melody of freedom or the words that might inspire hope and courage in the face of despair and fear. My weapons are peaceful, for it is only by peace that peace can be attained. The song of freedom must prevail.’
Songs of freedom and joy, songs of hope and courage, songs of wisdom, songs of rage, love, loss, and sacrifice – these are songs we all sing. Singing by oneself – whether in the shower or as a soloist in a studio or on a stage – can be healthy and powerful. But singing in a choral ensemble takes a special kind of vulnerability, courage, and selflessness. That’s why choral music is so powerful; our choral work together is sacred. Whether in houses of worship, in classrooms, on concert stages, in studios, in train stations, on street corners, or in parking garages, we amplify our power to inspire positive change when we sing music TOGETHER, thereby bringing meaning to our lives, and fostering the unity we long for.”
Conducting
UK, here we come…
The Harvard-Westlake Choirs embark on an 8-day performance and heritage tour of England! With stops in London, Cambridge, Gloucester, and Bath, this spring break trip is sure to be memorable! Here’s a link to our Brandenburg Festival concert:
Just 12 days until the world premiere of my piece “The Song of Significance” at Walt Disney Concert Hall, performed by the Grammy Award-winning Los Angeles Master Chorale.
Easter Sunday, March 31, is Gospel Sunday at Neighborhood UU Church in Pasadena, CA. Come hear my solo on “Gonna Have a Good Time” by Arvis Strickling-Jones!
sung by the California Coleridge-Taylor Singers Dr. Zanaida Stewart Robles, conductor James Walker, organist
This haunting response to Psalm 137 is described by one music blog in evocative terms: “Coleridge-Taylor’s writing for choir is superb; he excels at creating rich, thick textures and also thinner textures that don’t sound weak or unsupported. The general tone of this work is yearning, which is just what the Psalm is about — the yearning of the Jewish people while they were in Babylonian exile, yearning for Jerusalem. It’s a beautiful, poignant work.”
A sweet parent gave me flowers after our lunchtime choir tour preview concert at Harvard-Westlake! 🥹 Can’t wait to go to England!
Here are some escalator selfies at Walt Disney Concert Hall just before my promotional interview with Artistic Director Grant Gershon. The world premiere is coming up on April 6 & 7!
Just 42 days until the world premiere of my piece “The Song of Significance” at Walt Disney Concert Hall, performed by the Grammy Award Winning Los Angeles Master Chorale.
Chicago a cappella seeks submissions for HerVoice, a competition and mentorship program for women composers. A partnership with the Vancouver Youth Choir, this opportunity is open to composers of all ages who self-identify as female, from anywhere in the world. It is intended to promote the work of promising composers and provide hands-on training to further their skills in choral composition. We are seeking composers who are eager to improve their skill at choral composition. Women composers whose career is in its early stages and women composers of color are particularly encouraged to apply.
A cantata in 3 movements for SATB Choir, treble choir, harp, flute, strings, and percussion. Celebrating the life and wisdom of Dominican American poet Rhina P. Espaillat
I. Cycles II. Para Mi Trataranieto el Pionario III. Guidelines
Here’s a new demo I recorded of my cantata, Guidelines. Making demos like these is fun and helpful for my compositional process.
The Installation of Rev. Dr. Omega Burckhardt at Neighborhood UU Church in Pasadena was a blast! Four (4) musical Hallelujahs by Cohen, Thompson, Beethoven, and Handel were all performed for the occasion. What a celebration!
Here’s a cool poem that sends a little shiver down my spine, even with the weird California winter.
To a Snowflake
What heart could have thought you?— Past our devisal (O filigree petal!) Fashioned so purely, Fragilely, surely, From what Paradisal Imagineless metal, Too costly for cost? Who hammered you, wrought you, From argentine vapour?— “God was my shaper. Passing surmisal, He hammered, He wrought me, From curled silver vapour, To lust of His mind;— Thou could’st not have thought me! So purely, so palely, Tinily, surely, Mightily, frailly, Insculped and embossed, With His hammer of wind, And His graver of frost.
– Francis Thompson This poem is in the public domain
Composition
World premiere coming in April
My LA Master Chorale commission is finished and submitted! It’s about 9 minutes long and scored for a cappella double mixed chorus. It’s designed for a big choir that can lock some crunchy harmonies and still wail like crazy. LAMC is going to SLAY this piece!
Here’s how to get tickets to the premiere performance on April 6 and 7 in Downtown LA:
On Sunday, January 21, we enjoyed ourselves at the 2024 Unitarian Universalist Choral Celebration of Rev. Dr. Martin Luther King Jr. at Forest Lawn Glendale. I conducted “Love is” by Tesfa Wondemagegnehu, along with the hymn version of “We Shall Overcome.” Here’s a photo of my colleague John Bergquist conducting our combined choir piece “Show Us How to Love” by Mark Miller. I also took a selfie with my friend and fellow composer/conductor/singer Saunder Choi, and here are some views of the crowd.
For Fun
I got a Lite Brite for Christmas!
I always wanted one as a kid, so my husband thought it was time I finally had one. (Thanks, honey!)
