Becoming curious

When I was a doctoral student at the USC Thornton School of Music, I was regularly faced with disappointments and challenges that felt too heavy to bear. I often felt like I had nothing intelligent to “say” with my weak gestural skills and my lack of practical knowledge. My classmates seemed so brilliant and knowledgeable already. I felt embarrassed and awkward. I wanted to scream, to give up, to run away.

One day, I felt so woefully ignorant in Choral Literature class that I thought to myself, “Since I don’t feel like I have anything intelligent to add, I wonder if I can come up with something intelligent to ASK. What’s missing from the conversation? Who’s missing from the table? What details might be missing from the story? What’s missing from what they’re trying to teach me?”

I realized that contributing good questions could be more valuable than knowing the answers. I didn’t want to ask questions just so I could get answers right on tests. I wanted to ask questions that made me care more about what I was studying. So, I got really good at asking questions, and this is probably the most important skill I learned from my time as a doctoral student.

From the lens of curiosity, things started to change. One of the simplest, most important questions I learned to ask in times of conflict is “What would it take?” This was a question I learned to get good at answering by myself – answering this question first prevented me from making mistakes and asking lame questions out loud. It prevented me from engaging in useless busy work and futile arguments. And it helped me realize that some tasks and assignments that SEEMED useless were actually the answer the question. 

  • “What would it take for me to feel better?”
  • “What would it take to get there?”
  • “What would it take for them to give me what I want?”

Then, if necessary, I could ask these questions of friends, teachers, fellow stakeholders, and even opponents. Asking “what would it take” usually yielded immediate and astonishing results. This question leads to another great question:

“Do the benefits of pursuing and attaining this outweigh the drawbacks?”

The wonderful thing about the “benefits vs. drawbacks” questions is that there’s never a wrong answer – the answer must only be right for the person answering, and the response is almost always either “yes” or “no.” The truth is, that answer can also change depending on the circumstances. How freeing this feels to me! And answering this question can lead to making lists of benefits and drawbacks, which can provide enough clarity to get back on track after having drifted into a low-visibility or seemingly hopeless situation.

So what are we curious about? What’s missing from the story? Who’s missing from the table? What do we want/need most right now? What will it take? Do the benefits outweigh the drawbacks?

Are we curious?


Composing

You guys!! Having my carol “Now the Rejoicing” included in the historic Oxford “Carols for Choirs 6” collection is truly an honor and a dream come true for me! This anthology series is legendary in the choral world, and it’s such a thrill to have this piece selected by Bob Chilcott, David Hill and Oxford University Press.  It’s available from J.W. Pepper if you’re looking to add some new rep to your Christmas programs…


Conducting

Join us in August for our first Summer Choral Intensive with the newly-formed Zanaida Stewart Robles Singers!  There will be beautiful music and a US premiere of my “Blühende Bäume”, and our venue at the Neighborhood Church in Pasadena is just gorgeous. It’s a chance to work on your choral chops, rediscover the joy of singing together, and perform with a live string ensemble.

We’re particularly in need of tenors and basses, but all are welcome.  If the program fee is the only thing holding you back, please contact me, and let’s talk.

Details are in the flyer above, or click the button below to go straight to the registration page.

To keep an eye on what this amazing new ensemble is doing, you can also join our Facebook group for the ZSR Singers, and be sure to follow us on Instagram!


For Fun

Here’s a little visual tour of what I’ve been up to this month — it’s been busy!  Pictured:  

  • High School Scholarship Competition of the Georgia Laster Association of Music, an affiliate of the National Association of Negro Musicians (NAMN). So proud of my daughter who won second place, singing “Del Cabello Mas Sutil” by Fernando Obradors.
  • Juneteenth dress I wore all weekend long!
  • Silly and sparkly before the choir concert at Neighborhood Church
  • Spending time talking shop with my composition buddy, the amazing Amy Gordon

Ollie’s Corner

Ollivander wears many hats: here he is as fashion model, guard kitty and office assistant!


Original email newsletter — June 25, 2023. Join Zanaida’s mailing list here

It’s my birthday!

Birthdays are funny things, and can even mean something new every year.  But I offer the following in celebration this month:


Composing

My Kwanzaa Song “Ujima” is being included in a new social justice songbook created by Philadelphia-based choir, Singing City.  It will be performed on Tuesday, May 30th at 7:30 pm.


I’m elated to share that on June 4 at Zipper Concert Hall, VOX Femina Los Angeles will present the world premiere performance of my arrangement of “LIft Every Voice and Sing” for treble voices. 


Conducting

Join me on Zoom on Wednesday, June 7 at 7pm for a watch party, celebrating our trip to New York and viewing our entire performance at Carnegie Hall where I conduct “Lift Every Voice and Sing” and Hiawatha’s Wedding Feast.” Contact Zanaida to be added to the guest list.


Singing

In honor of Juneteenth, I’m singing “A Real Slow Drag” from Scot Joplin’s opera Treemonisha during the 10am service on Sunday June 18, at Neighborhood UU Church, Pasadena. Please join us!


Ollie’s Corner

Life is never boring when living with Ollie the acrobat!


Original email newsletter — May 25, 2023

4 Things I Learned From Performing Hiawatha’s Wedding Feast at Carnegie Hall in NYC

1. Making music with friends, students, and colleagues was, is, and will always be the thing that most deeply nourishes my soul.

2. There is still so much work to do to bring the music of underrepresented and marginalized composers into our collective consciousness. I’m not alone in this work, and I’m not the only one who can stand in front.

3. I discovered some new limits and boundaries for myself. Managing the tour logistics for multiple separate ensembles, while preparing and conducting a major work is not something I would do again or recommend. And while I ultimately enjoyed myself, it turns out I can only stand New York for a few days at a time.

4. Bottom line: it was totally worth it!! I couldn’t be more proud of our work. My life and the lives of our singers and instrumentalists are forever changed for the better thanks to this monumental experience. I’m certain that our friends Samuel Coleridge-Taylor, Jane Schoolcraft, and Henry Wadsworth Longfellow are having a beer together, smoking pipes, and smiling down on us from heaven.


Back Home

I’m creating spaces that inspire me and fill me with great memories and good vibes. My office where I teach is essentially the size of a closet. It can be a suffocating little space. But creating a little art wall inside has turned this tiny hole into a little sanctuary of delight. It’s a work in progress, but I love the direction in which it’s headed. I’d love to add a few more small artworks to the wall above my desk.

Felted landscape by my dear friend Debra Penberthy
Painting by Alberto Scarabattoli, purchased from his studio while on tour in Assisi, Italy

Singing

I like listening to this little demo I made not too long ago:

I’m looking forward to more session work this summer. And I’m learning some new solo repertoire to perform in church next season!


Conducting

In May at Neighborhood Church, I’m conducting my setting of “Sanctus,” Bobby McFerrin’s “23rd Psalm,” and John Kimball’s “A Quiet Stream.” 

Conducting my own music has always been a challenge for me. I find that even though I know my stuff by heart, the conducting gesture doesn’t come automatically or easily. So I’m practicing conducting some of my larger works in anticipation of performing them with the California Coleridge-Taylor Singers this summer. Stay tuned!


Composing

My piece “Veni Sancte Spiritus” is being performed by more than 600 young singers from across Southern California at the LAMC High School Choral Festival on Friday, April 28 at Walt Disney Concert Hall.

LAMC artistic director Grant Gershon rehearsing with hundreds of high school students

New publications

I’m excited to share that my arrangement of “His Eye Is On the Sparrow” by Charles Gabriel is being released by Hal Leonard:

Also, my “Blühende Bäume” for SSATBB choir and string quintet is now available on the MusicSpoke marketplace. 


For Fun

Bell choir bliss
My choir room at school

Ollie’s Corner


View the original email newsletter here, and make sure you’re on the mailing list!

Spring is here!

Zanaida in springtime
Happy spring!

In honor of spring’s arrival, I present my piece “Blühende Bäume” (Blossoming Trees) for SSATBB choir and strings, performed by Neue Kammer Leipzig. Coming soon to MusicSpoke!


Listen to Blühende Bäume by Zanaida Robles on #SoundCloud:


Conducting

Regular readers know that I’m taking a big group of singers to New York and conducting a concert at Carnegie Hall on March 28. Please send us good vibes from wherever you are, and we’ll give you a full report in the next issue! For now, here’s more about the project:

Are you in New York?  Please join us!

Let My Love Be Heard
feat. Hiawatha’s Wedding Feast
Tuesday, March 28 at 8PM 
Stern Auditorium, Carnegie Hall

This compelling program features a commissioned work, Truth,  by indigenous artist Sage Bond and arranged by Zanaida Robles.  It asks urgent questions about who is seen and heard, historically and into the present day.

Zanaida having a sudden realization
This is the moment I realized, “I can’t believe I’m really taking these 94 high school musicians to New York next week!”

For Fun

Visiting with the USC Chamber Singers — They sound great on my setting of  Psalm 61!

Ollie’s Corner

Ollivander (Zanaida's beautiful tabby cat) sitting in a pile of laundry
Laundry cat (Everyone should have one!)

View the original email newsletter here, and make sure you’re on the mailing list!

Lenten discipline

This is a holy time. It is heralded by Mardi Gras, the Tuesday of revelry and indulgence before Ash Wednesday, a day of solemnity and spiritual focus. This is when many Christians around the world begin observing the season of Lent (the 40 days and nights before Easter) by taking on a beneficial challenge or abstaining from certain comforts in order to fortify themselves mentally, physically, emotionally, and spiritually.

Like a New Year’s resolution, Lenten disciplines can be very hard to keep. As a Christian, the time to which I look forward most is Easter: the resurrection; the end of 40 days and nights of wandering in the wilderness — a joyful and much anticipated day of rebirth. With the promise of Easter far off in the distance, it’s a little easier to commit to maintaining a Lenten discipline.

I feel like my Lenten experience started months ago, when I embarked on the final push toward conducting Coleridge-Taylor’s Hiawatha’s Wedding Feast at Carnegie Hall this coming March. And now, with the actual season of Lent upon us, taking on the enormous task of organizing this historic performance feels even more significant. Sometimes I feel like I’m under attack. Sometimes I feel alone and lost. I feel worn, starved, and stretched beyond my limits. Sometimes I feel like I can’t go on. But the promise of salvation and rebirth linger in the distance. Like the old Negro spiritual says, “I gotta keep my hand on the plow and Hold On!”

And then, oh what a happy Easter this will be! I’ll be singing “The Strife is O’er,” “Welcome Happy Morning,” Lo, the Day of Days is Here,” and so much “Alleluia, Alleluia, Alleluia!” I’ll be singing and shouting and feasting and drumming, giving thanks to God for such an amazing day! Liturgically, there may be 40 days of Lenten hell, but there are 50 days of Easter bliss. Since my Lent seems to have lasted for months and months, you’d better believe that my Easter is about to last for years to come!


Composition

Come hear my new work, “Intersectionality”, with VOX Femina, in a couple of weeks:

Made in LA
Identity and Belonging in the City of Angels
Saturday, March 11 at 7PM 
First Congregational Church of Los Angeles

Join us as we celebrate the many cultures and communities that define our “City of Angels!” Explore the unique soundscape created by the diverse communities of Los Angeles and enjoy music in English, Spanish, Hebrew, and Farsi, honoring the ecclecitc populations of the city. Featuring new works by LA-based composers Zanaida Stewart Robles, and Saunder Choi, plus a collaboration with GMCLA a cappella group Aftershock!


Conducting

March includes some very fun music during the 11:30am service at Neighborhood Church:

  • 3/5 — Music by Joni Mitchell and Eliza Gilkyson
  • 3/12 — Music by Ludwig van Beethoven and Buryl Red
  • 3/19 — Works by Palestrina and Coleridge-Taylor

HIAWATHA’S WEDDING FEAST @ IN LA AND AT CARNEGIE HALL

  • 3/24, 7:30pm @ Emmanuel Lutheran Church in North Hollywood
  • 3/28, 8pm @ Carnegie Hall, NYC

Singing

This past weekend at Neighborhood Church, I was thrilled to sing “Dear Husband” from Songs of the Slave by Kirke Mechem and Dream Variation by Margaret Bonds. 


For Fun

Memories of Valentine’s Day
Students admiring Dr. Robles’s new coat

Ollie’s Corner

Ollie, the epitome of bliss

Be well!


View the original email newsletter here, and make sure you’re on the mailing list!