Category: Announcements

A Letter to the Singers of the Los Angeles Master Chorale

Dear Best Singers on the Planet,

I’ve been thinking about this for months and months and months. This is hard. I’m writing to let you know that I have decided not to return to LAMC. I have loved singing with you more than you know. But it’s impossible for me to commit to the group and maintain my full-time work as a teacher (and a mom) along with my part-time work as a music minister, composer, clinician, and arts activist. I am deeply grateful to LAMC for the many amazing opportunities I’ve had to make music with the most talented musical artists on earth. I hope I’ll still have a chance to sing with you from time to time on short-term projects around town. Great things appear to be on the horizon for you all. I can’t wait to see how it all unfolds. I’ll be watching from the audience.

Love and hugs to everyone,
Zanaida

Tonality

I’m so excited to announce that I’ve accepted an invitation to be on the board of directors for the incredible new choral group, “Tonality.”

Tonality promotes peace, unity and social justice through choral music performance in Los Angeles. I’ve sung with this group myself, and am blown away by their director Alexander Lloyd Blake. Alex is a fellow USC Trojan!, and I am so proud to support their incredible work.

As a Christmas meditation, please read Ian Perry Walker‘s review of Tonality’s December 2 performance of Stories of Home: A Tonality Holiday Concert:


Tonality’s next performance is a reprise of their “Put Your Guns Down” concert, on Sunday, January 7 at 7pm, at First Congregational Church of Los Angeles. Admission is free!

I’ll be there, and I hope you’ll come, too. If you can’t make it, please consider making a year-end gift to support the dynamic work of this organization. Go to their Fractured Atlas page to make a donation.

Merry Christmas.
Zanaida

The Lifting of Voices

I was moved to tears when, last weekend, mezzo-soprano Brittany Logan sang the sh*t out of my arrangement of “Lift Ev’ry Voice and Sing!” She sang it during a choral concert presented by the Bob Cole University Choir and Chamber Choir called “We Can Mend the Sky: Choral Music for Social Justice.” Conducted by my former teacher Jonathan Talberg, the Chamber Choir did a splendid job of supporting Brittany as she wailed with depth and fervor and exquisite vocalism — the perfect voice for my piece. Brittany told me that for her, a young Black American female college student, singing THIS SONG with THIS CHOIR meant the world to her. Tears were streaming from both our eyes as I hugged and hugged her. It meant the world to me, too.

I attended Saturday night’s concert with added pep in my step over having been elected President of the George Robert Garner III Branch of the National Association of Negro Musicians (NANM) the week prior, on October 14. I am so proud to be connected with a centuries-old Black American musical legacy through NANM. And I am filled with honor, humility, and hope as I imagine how I might serve as one of the living links between NANM and music institutions and educators that are finding ways to not only “include” Black Americans, but to give Black Americans a safe space where they can lift their voices and truly be seen and heard in ways that validate their humanity without tokenizing their identity.

I know I’ve said this before: “Lift Every Voice and Sing” is a hymn that connects us to our roots, honors the present, and points toward the future. The poetry is epic and sophisticated. It speaks to our common struggle with brutality and injustice. And mostly, it speaks to the value of EVERY collective human voice that has ever been imprisoned, demoralized, persecuted, and/or murdered. Anyone and everyone can and should sing this song. But for me, and for many Black Americans, this song is our pride and joy. It means more than words can say for this song to be sung to life by our prestigious local music institutions, especially when Black Americans take the lead.

There are lots of great arrangements of “Lift Every Voice” out there. If you are a choral conductor, please consider performing mine. It is published by E.B. Marks Music and distributed by Hal Leonard. For details, go to to https://www.halleonard.com/product/viewproduct.action?itemid=139863.

Going national

I am pleased to announce that I have just been elected to serve on the national board of the National Association of Negro Musicians (NANM). If you go to www.nanm.org, you’ll learn that this organization has been dedicated to the preservation, encouragement, and advocacy of all genres of music created and/or performed by African Americans since 1919.
To grasp the breadth and scope of NANM over the last century, here are some of the notable artists that have given performances with this great organization:

Clockwise from top left:
Marian Anderson, Ellis Marsalis, Jessye Norman, Robert McFerrin, Lena Horne, William Warfield
Clinicians and lecturers of note include Wendell Whalum, Doris McGinty, Alain Locke, Grace Bumbry, Sylvia Olden Lee, James Cleveland, Robert Ray, Willis Patterson, Roland Carter, Brazeal Dennard, Robert Harris, and Shirley Verrett. These notables (my heroes) represent only a fraction of the many musicians, educators, scholars, and lovers of music who constitute the musical fabric of this organization.
During the national convention in New Orleans, LA this past week, I ran for a post on the national board of NANM because I believe in its mission, I am proud of its legacy, and I want to play a constructive role in its future. NANM is one of the most profoundly diverse organizations in this nation. Yes, we proudly claim our identity as Black, African-American, and Negro. But as a body of people, we are also multicultural, multi-stylistic, intergenerational, inter-geographical, multi-lingual, inter-religious, and socio-economically dynamic and diverse. What a gift we are to our people and to our nation as an exquisite example of how to recognize our common cultural heritage while celebrating our diversity and expanding our legacy! The National Association of Negro Musicians is a beacon of light in our country during times of great darkness, and I am honored for the opportunity to officially serve as a national ambassador for NANM. I look forward to doing my part to shine its light throughout this country.

Resigning from SGVCC with Love

Dear Friends,

Effective June 30th of this year, I will resign from my position as Artistic Director of the San Gabriel Valley Choral Company. This decision is one that I have struggled with, as SGVCC has meant so much to me over these last 5 years. The time seems right for this transition, as I have accepted a full-time position as choral instructor at Harvard-Westlake School in Studio City.

With SGVCC, I have been nurtured and supported, and I have grown exponentially as a conductor. My vision as an artistic director was realized and validated through my work with SGVCC – for this I am deeply grateful. We served children and the elderly in our community, collaborated with other arts and civic organizations, performed major works, sang a wide variety of styles, honored each other, and had so much fun! I have learned so much about non-profit arts management, board succession, fundraising, and staff management. Most of all, I have made beautiful music with a group of the most beautiful people on the planet. Our community is so special, and we should never ever take that for granted.

I have no doubt that under the leadership of the brilliant Dr. Alexandra Grabarchuk, SGVCC will continue to thrive and grow. As my work with the Samuel Coleridge-Taylor Project, Street Symphony, and the National Association of Negro Musicians continues, I look forward to remaining connected to SGVCC.

My final concert with SGVCC is this Saturday, June 24 at 7pm. Our concert entitled ”Route 66- Music and the All-American Highway” features jazz and blues, folk tunes, and rock ‘n’ roll songs that explore our relationship with this historic highway. It’s a choral celebration of America’s love affair with the open road and the stories we tell on the journey of life. Our children’s choir “Kids in Concert” will also be featured. Tickets are now available at the cost of $5 for children, $15 for students and seniors, and $20 for the general public. The concert will be held in the beautiful acoustical space of The Parish of Saint Luke, 122 S. California Avenue in Monrovia. More information can be found at www.choralcompany.org or by calling 818-802- 9620.

Yours truly,

Zanaida Robles