Tag: Harvard Westlake

Coming home

What an extraordinary gift it was to conduct and record my music with the CSULB Bob Cole Chamber Choir this April.

They sang their faces off!

I couldn’t be more proud of my alma mater nor more grateful for Dr. Jonathan Talberg, my teacher, mentor, and lifelong friend.


Composition

Composer’s bliss

This is me in ecstasy, standing up to congratulate the Los Angeles Master Chorale after they world premiered my Song of Significance.  This work and this program were very personal to me, and I’m so privileged to be commissioned for this work and included on a concert with J.S. Bach and the terribly neglected Margaret Bonds.  It was all curated by artistic director Grant Gershon and pianist/radio host/champion for Black composers Lara Downes, and the whole concert was very inspiring.  The San Francisco Classical Voice seems to agree, with many good things to say about the program with a focus on the Bonds works, and a nice shout-out to Song of Significance for “masterful choral orchestration, romantic and lush“.  (I’ll take it!)


Conducting

Coming this weekend

The Harvard-Westlake choirs have returned from England wreathed in glory, and they’ll wrap up that victory with their annual spring concert this Saturday at the campus’ Rugby Auditorium.  I’ll be conducting my composition, “Can You See”, plus music from the musical “The Secret Garden”, and lots more.  Admission is free!


Singing

Soundcloud Song of the Month

From the Stone Age

Written and performed by Zanaida Stewart Robles


I had a chance to sit down at home this month and record a demo of my piece “From the Stone Age” for SSAA choir, piano, cello, and flute. Text is by Alice Corbin Henderson (pictured). More about Alice below.

Poet Alice Corbin Henderson (1881-1949) was known for her activism related to Indigenous rights and environmental conservation. This 8-minute musical setting of Henderson’s poetry tells the story of a stone once carved in the semblance of a god. Over time, its surfaces are smoothed by the elements to reveal a beautiful resilience. Gradually, it becomes more beautiful and less rigid until its original form is unrecognizable and irrelevant. With a soaring soprano solo and moderately challenging harmonies and counterpoint, this work for treble choir, piano, cello, and flute offers singers a chance to explore time, the cosmos, and transformation through the embodiment of a stone.


For Fun

Performing at Gloucester Cathedral in England with the Harvard-Westlake choirs


Ollivander in glory
Ollie and Archie with a new favorite box
Ollie’s tooth 
“What?”


Happy spring, everyone!

This post was originally released as one of Zanaida’s monthly newsletters, April 25 2024

In spite of it all

I want to write about how thankful I am for all the blessings in my life this year; for my family; for my my work at Harvard Westlake and at Neighborhood Church Pasadena; for Tonality, Street Symphony, NANM; for LAMC and the LA Phil; for studio gigs and creative projects; for doctors and physical therapy; for psychologists, behavior specialists and teachers; for coaches and mentors and besties and colleagues, for sports and beer and video games and trampolines and an abundance of food and music…

But honestly, I’ve been going through some stuff. I’ll be okay, but I’ve been overwhelmed lately. I’ve been worried. I’ve been in pain. And sometimes it’s hard to be generous when we’re in pain or in need. We hoard our time, our money, our food, our space. Or sometimes we act carelessly and with ingratitude when we give and give and give at the expense of taking care of our own complex needs. We give away our time and money when we most need it to tend our own homes and souls. We fill up time instead of taking time. We fill up space instead of making space or holding space. Pain, grief, and need take us off balance. And I have been feeling this.

But I AM grateful. And I pray I am kind and loving despite my pain. I hope I remember to look beyond my own circumstance to see (and help meet) the needs of others. I hope I say “you’re welcome” as often as I say “thank you.” And I pray I have the courage, the strength, and the presence of mind to take folks up on their offers of generosity so I can hear the words “you’re welcome” and know the depth of their meaning.

We need balance. And it takes both courage and community to be both grateful and generous.

And it’s complicated, so let’s give ourselves a break.
Happy Thanksgiving.

Rutter’s ‘Magnificat’

Harvard Westlake’s combined Upper School Choirs join with our Symphony Orchestra in two performances of “Magnificat,” a forty-minute masterwork by British composer John Rutter. The “Magnificat” canticle is a joyful expression of praise and thanksgiving for the gift of new life waiting to be born within. The program opens with songs of joy and festivity offered by each of our three classical choirs.  Free admission. No tickets required, and the performance is open to the public.

Read about HW’s performing arts events

Finding home

On Saturday, April 28 at 7:30pm, I will direct a spring choral concert with the Harvard-Westlake Choirs entitled “I Will Arise.” Joined by composer, singer-songwriter, and folk music expert Shawn Kirchner, we explore the musical intersections between Scotch-Irish, Appalachian, and Black American cultures as we consider what it means to find home within ourselves when circumstances drive us far away from the physical homes we know and love. We learn what enables us to rise and redefine what the word “home” can mean and where home can exist. And we discover what binds us together in our search for that home, that longed-for place of simple beauty and peace and timelessness that frees us from despair, loss, and pain. We consider the colorful poetry of 19th century Irish poet William Butler Yeats as he describes his desire to go to such a place:

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.

– “The Lake Isle of Innisfree” by William Butler Yeats