Tag: Los Angeles Master Chorale

Organizations and Institutions

There are so many institutions and organizations that are a blessing to my life. Some have been blessing my life for decades! Besides the pride and joy I feel to be employed at Neighborhood UU Church Pasadena and Harvard-Westlake School, I was happy to reconnect with friends in the George Robert Garner III branch of the National Association of Negro Musicians during a recent branch meeting via Zoom. Watching my freshman daughter perform as a soloist during the Beach Cafe at the Bob Cole Conservatory of Music at CSULB was thrilling not only because my kid was brilliant (!), but because of all the familiar faces and pathways and buildings I got to enjoy at my alma mater.

This fall, I’ll reconnect with friends from the Los Angeles Master Chorale and the California Choral Directors Association through various projects and performances. Organizations like Tonality, Street Symphony, USC Thornton School of Music, The Los Angeles County High School for the Arts, All Saints Church Pasadena, The San Gabriel Valley Choral Company, and more – these special organizations and institutions with which I’ve been affiliated are never far from my heart.

I’ve been thinking a lot about the ups and downs organizations and institutions must endure. No organization is perfect, and there are times when I feel let down by them. Still, I value the vision and purpose of these institutions. I recognize the ways in which I have benefitted from their existence, and I want to give back. I can’t participate in everything nor do I have a ton of volunteer hours or money. But I’ll try to show up when I can and give a little money here and there whenever possible.

This is how I can live out my gratitude.


Favorites

I recently realized that Dr. Adolphus Hailstork is my favorite Black composer! It feels really good to have fallen in love with this composer simply from just being exposed to his music more and more on the radio and on social media. Dr. Hailstork celebrated his 80th birthday this year! Here’s my current favorite piece of his, sung by one of my favorite ensembles:

Shout For Joy by Adolphus Hailstork:


The release of my first commercial single, “Ecstatic Expectancy”!!

On Monday September 23, my choral piece Ecstatic Expectancy was released on Spotify, Apple Music, iTunes, Instagram/Facebook, TikTok & other ByteDance stores, YouTube Music, Amazon, Pandora, Deezer, Tidal, iHeartRadio, Claro Música, Saavn, Boomplay, Anghami, NetEase, Tencent, Qobuz, Joox, Kuack Media, Adaptr, Flo, and MediaNet.

Look for Ecstatic Expectancy wherever you listen to music, and let me know where you were able to find it! My first commercially released album is soon to follow, too, so stay tuned!


For Fun

Conducting the Neighborhood Chorus for Ingathering/Water Communion Sunday, September 8


My office at school (for which I am grateful!) sometimes feels like a sad closet with a lame window. So I created some sunshine to brighten it up.


Did you know you can swim, fish, and go kayaking in the Los Angeles River? Last month, I had the best time kayaking on the water in this very picture. Can you imagine me in a kayak, paddling down that sliver of water in this picture!?! I’m planning to go kayaking one more time before LA River Kayak Safari closes for the season on September 30.


Sexy Archie


Ollie looking down on us all


Originally published as part of Zanaida’s September 2024 newsletter

Coming home

What an extraordinary gift it was to conduct and record my music with the CSULB Bob Cole Chamber Choir this April.

They sang their faces off!

I couldn’t be more proud of my alma mater nor more grateful for Dr. Jonathan Talberg, my teacher, mentor, and lifelong friend.


Composition

Composer’s bliss

This is me in ecstasy, standing up to congratulate the Los Angeles Master Chorale after they world premiered my Song of Significance.  This work and this program were very personal to me, and I’m so privileged to be commissioned for this work and included on a concert with J.S. Bach and the terribly neglected Margaret Bonds.  It was all curated by artistic director Grant Gershon and pianist/radio host/champion for Black composers Lara Downes, and the whole concert was very inspiring.  The San Francisco Classical Voice seems to agree, with many good things to say about the program with a focus on the Bonds works, and a nice shout-out to Song of Significance for “masterful choral orchestration, romantic and lush“.  (I’ll take it!)


Conducting

Coming this weekend

The Harvard-Westlake choirs have returned from England wreathed in glory, and they’ll wrap up that victory with their annual spring concert this Saturday at the campus’ Rugby Auditorium.  I’ll be conducting my composition, “Can You See”, plus music from the musical “The Secret Garden”, and lots more.  Admission is free!


Singing

Soundcloud Song of the Month

From the Stone Age

Written and performed by Zanaida Stewart Robles


I had a chance to sit down at home this month and record a demo of my piece “From the Stone Age” for SSAA choir, piano, cello, and flute. Text is by Alice Corbin Henderson (pictured). More about Alice below.

Poet Alice Corbin Henderson (1881-1949) was known for her activism related to Indigenous rights and environmental conservation. This 8-minute musical setting of Henderson’s poetry tells the story of a stone once carved in the semblance of a god. Over time, its surfaces are smoothed by the elements to reveal a beautiful resilience. Gradually, it becomes more beautiful and less rigid until its original form is unrecognizable and irrelevant. With a soaring soprano solo and moderately challenging harmonies and counterpoint, this work for treble choir, piano, cello, and flute offers singers a chance to explore time, the cosmos, and transformation through the embodiment of a stone.


For Fun

Performing at Gloucester Cathedral in England with the Harvard-Westlake choirs


Ollivander in glory
Ollie and Archie with a new favorite box
Ollie’s tooth 
“What?”


Happy spring, everyone!

This post was originally released as one of Zanaida’s monthly newsletters, April 25 2024

So much to share this month!

Let’s dive right in…


Composition

World premiere coming in April

Just 42 days until the world premiere of my piece “The Song of Significance” at Walt Disney Concert Hall, performed by the Grammy Award Winning Los Angeles Master Chorale.

I Believe:
The music of Bach, Bonds and Robles

Grant Gershon, conductor
Lara Downes, piano
Chloé Vaught, soprano
Jamal Moore, bass


Two competitions to share

George Heussenstamm

CCDA/Heussenstamm Composition Contest

The CCDA/George Heussenstamm Choral Composition Contest at ECCO now moves into its eighth year! 


HerVoice Composition Contest

Chicago a cappella seeks submissions for HerVoice, a competition and mentorship program for women composers. A partnership with the Vancouver Youth Choir, this opportunity is open to composers of all ages who self-identify as female, from anywhere in the world. It is intended to promote the work of promising composers and provide hands-on training to further their skills in choral composition. We are seeking composers who are eager to improve their skill at choral composition. Women composers whose career is in its early stages and women composers of color are particularly encouraged to apply.


Singing

I had a blast singing at the Peacock Theatre in Downtown LA for “NieR in concert.” 


Soundcloud Song of the Month

Guidelines

A cantata in 3 movements for SATB Choir, treble choir, harp, flute, strings, and percussion. Celebrating the life and wisdom of Dominican American poet Rhina P. Espaillat

I. Cycles
II. Para Mi Trataranieto el Pionario
III. Guidelines

Here’s a new demo I recorded of my cantata, Guidelines. Making demos like these is fun and helpful for my compositional process.


For Fun

The Installation of Rev. Dr. Omega Burckhardt at Neighborhood UU Church in Pasadena was a blast! Four (4) musical Hallelujahs by Cohen, Thompson, Beethoven, and Handel were all performed for the occasion. What a celebration!


Ollie and Archie in love


See you next month!

How’s it going?

I hope you are all doing well and staying healthy. To be perfectly honest, I’ve had a rough time this month. The COVID surge and subsequent cancellation of music events, choir festivals, projects, and rehearsals was emotionally hard to bear. Being Director of Music at Neighborhood Church and conducting the Neighborhood Chorus is an important artistic outlet for me. So having to go virtual and choirless for services and canceling choir rehearsals for the first few weeks of the year left me feeling pretty low. But the love and support of family, friends, and colleagues have helped me to weather this storm. And I’m happy to say that things seem to be looking up.

Resignation from Tonality

After three terrific years, it was time for me to step down from serving on the Tonality Board of Directors. Tonality has many incredible projects on the horizon. And while my journey with the organization is at an end, I wish Tonality all the best in the months and years ahead.


Composition

My work “Veni Sancte Spiritus” will be performed by the Los Angeles Master Chorale in Walt Disney Concert Hall on Sunday, January 30. Get tickets at lamasterchorale.org. Hope to see you there!

Here’s a recent home recording of my Kwanzaa song: “Nia,” with vocals and percussion performed by Natalie, Vincent, and Zanaida Robles. It features the new tongue drum that Vincent got me for Christmas:

Listen to “Nia” by Zanaida Robles on #SoundCloud:


Ollie’s Corner

Here’s Ollie being a vicious predator toward a toy snake.