Michael Fausto conducts the Neighborhood chorus with me singing “I Want Jesus to Walk With Me” arranged by Moses Hogan. I also get to sit in the soprano section while Michael conducts the “Kyrie” from Mozart’s Requiem.
Gonna be fun!!
Conducting
On Wednesday, October 16, I conducted the Harvard-Westlake Chamber Singers at the Riverside City College High School Choral Festival. Singing music by Williametta Spencer, Christopher Wong, and Ralph Vaughn Williams, these young singers were terrific!
For Fun
Woke up from a nap with cats all over me!
Me, starstruck with composer Frank Ticheli after conducting his “Earth Song” at Neighborhood Church last month.
When I was a doctoral student at the USC Thornton School of Music, I was regularly faced with disappointments and challenges that felt too heavy to bear. I often felt like I had nothing intelligent to “say” with my weak gestural skills and my lack of practical knowledge. My classmates seemed so brilliant and knowledgeable already. I felt embarrassed and awkward. I wanted to scream, to give up, to run away.
One day, I felt so woefully ignorant in Choral Literature class that I thought to myself, “Since I don’t feel like I have anything intelligent to add, I wonder if I can come up with something intelligent to ASK. What’s missing from the conversation? Who’s missing from the table? What details might be missing from the story? What’s missing from what they’re trying to teach me?”
I realized that contributing good questions could be more valuable than knowing the answers. I didn’t want to ask questions just so I could get answers right on tests. I wanted to ask questions that made me care more about what I was studying. So, I got really good at asking questions, and this is probably the most important skill I learned from my time as a doctoral student.
From the lens of curiosity, things started to change. One of the simplest, most important questions I learned to ask in times of conflict is “What would it take?” This was a question I learned to get good at answering by myself – answering this question first prevented me from making mistakes and asking lame questions out loud. It prevented me from engaging in useless busy work and futile arguments. And it helped me realize that some tasks and assignments that SEEMED useless were actually the answer the question.
“What would it take for me to feel better?”
“What would it take to get there?”
“What would it take for them to give me what I want?”
Then, if necessary, I could ask these questions of friends, teachers, fellow stakeholders, and even opponents. Asking “what would it take” usually yielded immediate and astonishing results. This question leads to another great question:
“Do the benefits of pursuing and attaining this outweigh the drawbacks?”
The wonderful thing about the “benefits vs. drawbacks” questions is that there’s never a wrong answer – the answer must only be right for the person answering, and the response is almost always either “yes” or “no.” The truth is, that answer can also change depending on the circumstances. How freeing this feels to me! And answering this question can lead to making lists of benefits and drawbacks, which can provide enough clarity to get back on track after having drifted into a low-visibility or seemingly hopeless situation.
So what are we curious about? What’s missing from the story? Who’s missing from the table? What do we want/need most right now? What will it take? Do the benefits outweigh the drawbacks?
Are we curious?
Composing
You guys!! Having my carol “Now the Rejoicing” included in the historic Oxford “Carols for Choirs 6” collection is truly an honor and a dream come true for me! This anthology series is legendary in the choral world, and it’s such a thrill to have this piece selected by Bob Chilcott, David Hill and Oxford University Press. It’s available from J.W. Pepper if you’re looking to add some new rep to your Christmas programs…
Join us in August for our first Summer Choral Intensive with the newly-formed Zanaida Stewart Robles Singers! There will be beautiful music and a US premiere of my “Blühende Bäume”, and our venue at the Neighborhood Church in Pasadena is just gorgeous. It’s a chance to work on your choral chops, rediscover the joy of singing together, and perform with a live string ensemble.
We’re particularly in need of tenors and basses, but all are welcome. If the program fee is the only thing holding you back, please contact me, and let’s talk.
Details are in the flyer above, or click the button below to go straight to the registration page.
To keep an eye on what this amazing new ensemble is doing, you can also join our Facebook group for the ZSR Singers, and be sure to follow us on Instagram!
Here’s a little visual tour of what I’ve been up to this month — it’s been busy! Pictured:
High School Scholarship Competition of the Georgia Laster Association of Music, an affiliate of the National Association of Negro Musicians (NAMN). So proud of my daughter who won second place, singing “Del Cabello Mas Sutil” by Fernando Obradors.
Juneteenth dress I wore all weekend long!
Silly and sparkly before the choir concert at Neighborhood Church
Spending time talking shop with my composition buddy, the amazing Amy Gordon
Ollie’s Corner
Ollivander wears many hats: here he is as fashion model, guard kitty and office assistant!
Come hear music that will get you in the holiday spirit and support our church choir’s trip to sing Hiawatha’s Wedding Feast with Zanaida at Carnegie Hall! Featuring Christmas favorites such as Star in the East, The Christmas Song, Carol of the Bells, and sing-along favorites, plus a sample of the music to be performed at Carnegie Hall on our tour!
Soloists include Miriam Adhanom, Adrian Bañuelos, Michael Fausto, Carla Jaime Perez, Cesáreo Pérez and Zanaida Robles, with pianist Wells Lang. Suggested donation $20, Or use the QR code to support the trip even if you can’t attend the concert!
Today, May 25, is my birthday! One of my favorite things I did this month was working with the Neighborhood Church Youth Chorus. I can’t emphasize enough how much I LOVE working with singers under the age of 13. We always have so much fun singing and learning music together, even through Zoom. We made a virtual choir video of us singing the hymn “Do When the Spirit Says Do” with piano accompaniment by Wells Leng. I can’t help but smile and giggle everytime I see it. I hope it makes you smile, too.
Conducting
The Harvard-Westlake Upper School Virtual Choir Concert is on Friday, June 4 at 7pm on Vimeo. I’m conducting “El Aire Lloro” by Francisco Núñez, “Kang Ding Love Song” by Saunder Choi, and “Lift Every Voice and Sing” arranged by yours truly.
Composition
It’s thrilling to be a mentor composer for one of the winners of the Her Voice Composition Competition with Chicago A Cappella. Sarai Hillman’s winning composition “Safety and Refuge” is radiant, timely, and well-crafted. Plus, Ms. Hillman is just a phenomenal human being, so full of musicality, poise, warmth, and genuine enthusiasm for the craft of music composition.
I’ve been practicing self-accompanying on piano. Here’s a video of me singing and playing “Amarilli” by Caccini. I still get tripped up with my fingering, but the singing’s not bad. How’s my Italian?
For Fun
The bad news is that I got rear-ended in heavy traffic on the freeway last month. Don’t worry, it was a slow-speed impact, and no one was injured. The value of my little car was basically the same as the cost to repair it, so it ended up being a total loss.
The good news is that I got a new car for Mother’s Day! It’s a stylish black 2020 Mazda CX3 – a car I’ve always wanted!
Nonprofit Music News
Tonality is thrilled to be a recipient of the LA Arts Recovery Fund. As one of 90 nonprofits receiving grants, we are excited to continue serving our community and contributing to the rich cultural fabric and economic recovery of LA County!
The need for self love and self care is crucial, and working to help uplift and show care toward other Black people is a vital part of this work. As a member of the national board for the National Association of Negro Musicians (NANM), here is a statement I have crafted about our work:
“With gratitude and reverence for the pioneers who have come before and for those who are with us now; with sober focus and determination to carry on the work of honoring and advancing our legacy; in the face of all manner of trials and tribulations in our midst: the National Association of Negro Musicians is firmly committed to its mission of promoting, preserving, and supporting all genres of music created or performed by African Americans.”
Core Messsage Concepts:
To all creators, performers, and educators who identify as Black, African American, Negro, or Colored;
To all those who seek to promote, preserve, and support all genres of music created or performed by African Americans:
WE CARE FOR EACH OTHER – Here’s what NANM provides…
scholarship money;
a platform for cultural engagement and celebration;
educational/historical/cultural resources;
a space for those who identify as members of the African diaspora to be seen and to process shared experience.
WE SEE EACH OTHER – Here’s who NANM honors for already doing the work…
WE APPRECIATE EACH OTHER – Here’s who honors and supports NANM’s work…
Our donors and members
WE NEED EACH OTHER – Here’s who we need to help continue NANMs legacy…
solicitation of scholarship applicants;
calls for scholarly papers and articles;
calls for presenters and performers at national convention.
I’m working on building the infrastructure that enable us to more effectively fulfill our organizational mission, thereby strengthening and uplifting ourselves so that we may be sustained in the fight against racism alongside our non-Black siblings.
Composition
I’ve had so much inspiration to work on new projects that I can hardly figure out where to begin. I’ve also had numerous requests for scores from my catalogue of completed works. If you would like to peruse a score or purchase a license for one or more of my works, please use the contact form on my website at zanaidarobles.com. Sometimes it takes me a couple days, but I’ll respond as soon as I possibly can. I’m excited to share my music with you!
In the meantime, here’s a recent recording I made of my work “Umoja” for treble voices. I added a few things to spice it up!
Umoja , arranged and sung by Zanaida Robles
Conducting
As I prepare to go back to the “virtual” choir room this fall, I’m working on shoring up my conducting skills. Conducting is such a magical art form to me, and I grieve the loss of the ability to practice my art due to COVID-19. However, I’ve decided to commit to continuing to work on my craft and to use my skills in the service of my ensembles through video. Some works I’m hoping to video record myself conducting this fall include “Sanctus” from Requiem by Maurice Duruflé, “Hehlehlooyuh” by James Furman, and my very own composition “Kyrie.”
As I prepare for this fall, I have been reviewing texts and notes from my doctoral studies at USC. I’ve also been reading choral music publications and paying attention to the current work of my colleagues in the field of choral music education. One of the most delightful things I’ve found was my friend Dr. Christopher Gravis’s video introduction to instrumental conducting. His video was absolutely inspirational to me, reminding me how amazingly complex our art form can be and how we have a responsibility to put in the work to thoroughly study and fully comprehend the music we conduct, regardless of whether it’s instrumental or choral. Here’s the video:
Instrumental Conducting: Introduction to the Orchestra, the Score, and Transposition — by Christopher Gravis, posted June 2020.
Singing
When I’m not recording vocals for various professional projects, I’ve been singing through my 24 Italian Art Songs and Arias, trying to work on my legato phrasing and vowel alignment. (I enjoy playing them on my flute, too!)
I’m also playing around with GarageBand to create new music. Here’s a recording I did not too long ago of “Karitas Habundat” by 12th century composer and mystic Hildegard von Bingen.
Karitas Habundat by Hildegard von Bingen, sung by Zanaida Robles
For Fun
My daughter is really into K-Pop right now. I love watching her dance to this music because she moves with such effortless style and confidence. I’m in awe of how easily she picks up these dance steps; she’s such a natural dancer (complete opposite of me!). She tried to teach me the dance steps to a couple of songs. Laughter ensued, and then I gave up. But it’s fun to try! Start here:
BLACKPINK – ‘Kill This Love’ DANCE PRACTICE VIDEO (MOVING VER.)
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