Moonlight, Live
As you know, I serve as Director of Music at Neighborhood UU Church in Pasadena, CA. Before church service began on July 13, my friend, church keyboardist and Associate Music Director Wells Leng (pictured) was playing the piano as usual. Since Debussy’s Clair de Lune (“Moonlight”) was scheduled as the prelude, Wells casually played through a few spots in the Debussy as they were preparing for the service to start. My mind was in a million other places, and I was having a tough morning due to concerns about, you know, the usual or whatever. The service began with announcements as usual. The welcome words cue the keyboardist to start the prelude.
On cue, Wells startled me with the way their posture transformed. As if they were summoning some sort of ancient, otherworldly power, they straightened their back with what seemed like intense reverence and slowly lifted their hands to play.
You know that scene from the movie Ratatouille, when the food critic is dramatically transported to his childhood with the first bite of that scrumptious meal? That was how dramatically moving the first three notes of this performance of Clair de Lune were for me.
Also, I realized something extraordinary: I had never heard the piece played live.
In Wells’s hands, it was like hearing it in 3D – one of the most beautiful things I’ve ever heard in my life. I’m sure the combination of pressures at home and worry for the world and childhood nostalgia and peri-menopausal hormones were all at work. But something in me broke while I listened to Wells play Clair de Lune. I have never wept in church like I wept when they played that piece that morning.
It was the best part of my whole day.
Conducting
What was that, Carl?
The Zanaida Stewart Robles Singers Summer Choir Intensive starts in less than 2 weeks! I can’t wait to dive into Carmina Burana with our singers, anticipating how powerful it will be to perform it during the 10am Sunday morning service at Neighborhood UU Church Pasadena on August 10. In the meantime, I offer you a link to my favorite “misheard lyrics” version of the famous “O Fortuna” chorus.
Here’s “Oh Four Tuna”:
Singing
During church on July 20, I dusted off my French art song chops and sang Villanelle by Eva Dell’Acqua and Chanson Triste by Henry Duparc. I made some mistakes, but I had fun and it felt good to explore those melodies again. Also, making music with pianist Dr. Katie Eames is always a special treat! Here’s a link to a video of the service. My songs happen around 18:30 and 25:30.
Composition
My piece, Veni Sancte Spiritus, continues to strike a chord with choirs all over the country. Many thanks to Kaleb Hilton and the choir of Kentucky Governor School for the Arts for learning this piece and inviting me to Zoom with them in preparation for their performance. Check out this piece and more on my album of sacred choral works titled Ecstatic Expectancy.
For Fun
Playing instrumental music with my friend and fellow singer Dabney Ross Jones was a blast!
Anyone else want to play music with me just for fun? Let me know.
My first cherry cobbler turned out perfectly.
Yay, kayaking time!
Archie: “Can’t you find another way down?”
Ollie – the angel of tripping hazzards.
Keep in touch!
